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I think Donald Trump is gonna do great. Because I've worked with him and known him a long time. He's a guy who is not programmed to fail.
I don't really play overseas stuff. I'm a bit of a dinosaur in that way. You gonna improve on a Les Paul or Fender Stratocaster? Those are perfect designs, and there is nothing to add really.
Donald Trump is a guy that's gets stuff done. If he says he's gonna do something, he does it. He doesn't worry about it. He's got thick skin. He's gonna do it. He's gonna bring jobs back.
Scarlatti [Kirkpatrick] started writing sonatas when he was 66 and the idea that he ran off 500 or so after he was 66 was just too much for me to resist. It's just great.
I needed to recognize those secrets I was keeping from myself- secrets I had buried long ago. I needed Post Secret just as much as the other people who were mailing me their secrets.
The secrets I receive reflect the full spectrum of complicated issues that many of us struggle with every day: Intimacy, trust, meaning, humor, and desire.
You know what I'm talking about. This business has changed. Flyers aren't pilots anymore, they're engineers. This is a college man's game. Our work is done. The pioneering is over.
Through the miracles of modern medicine George Burns still chases pretty girls, and through the miracle of modern psychiatry he intends to find out why!
I have worked alone and with a cast and enjoy the process both ways. There is more back-and-forth with a full cast, and you can feed off the other actors' performance.
I don't have a problem with big name actors coming into animation. It actually has been done for years and we are after all actors, it is just a different medium that requires a different technique.
One thing that seems to surprise the studios is finding out later my willingness to audition. Under the right circumstances, I actually enjoy it very much.
I would love to be able to direct episodic television, because it's a great way to make a living, and it's something where I think I could utilize my talents as well as my ability to work fast.
I enjoy the kind of characters that allow you to write the dark stuff. I love Rachmaninoff and Tchaikovsky, and when I'm writing for Dracula or Jekyll & Hyde, I get a chance to use that vocabulary.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
Creativity requires taking what Einstein called 'a leap into the unknown.' This can mean putting your beliefs, reputation and resources on the line as you suffer the slings and arrows of ridicule.
The language and concepts contained herein are guaranteed not to cause eternal torment in the place where the guy with the horns and pointed stick conducts his business