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The guys were going down one road, and I was going down another.
Just as I lay back, she sat up. I sat up, and she flopped back down. Awkward. That was my every move when it came to her. Now we were both lying down, staring up at the blue sky.
Because when every day is the End of Days, after a while they feel pretty much like every other day, even though you know that's crazy. And nothing is the same.
Lena made a face. She almost never wore makeup; she didn't have to. "You know, it's not like we all sign a contract with Maybelline when we turn thirteen.
What did you do to Amma?" "I was late to school." He studied my face. I studied his. "Number 2?" I nodded. "Sharp?" "Started out sharp and then she sharpened it.
And you can look up just about anything, even dirty pictures. Every now and again, the dirtiest pictures you ever saw would pop up on the screen. Imagine!
There were only two kinds of people in our town. ―The stupid and the stuck- ―The ones who are bound to stay or too dumb to go. Everyone else finds a way out.
The one broken window that permanently wouldn't roll up had destroyed her perfectly curled blond prom-hair, and by the time we got to the gym she looked like Marie Antoinette with bedhead.
I'd ridden to school with Link every day since kindergarten, when we became best friends after he gave me half his Twinkie on the bus. I only found out later it had fallen on the floor.
I believe the term you’re searching for is smoking jacket. I find, now that I have whole days of sunshine ahead of me, I’ve discovered there is more to life than formal haberdashery.
I don’t think Kitchen makes this. What’s it called again?" "Jell-O Surprise." Link grinned. "What’s the surprise?" Ridley examined the red gelatin more closely. "What they put in it.
I don't know what happened. One minute, I was dreamin' about a fat piece of George Clooney and a hot date with some brown sugar pound cake, and the next thing I knew, the house was coming down on us.
The camera is your way to see what you want to see - it's an extension of the director's fantasy. I'm executing my personal fantasy, whether it's a fantasy of pleasure or of pain and fear.
The manager has always shown a lot of faith in me, and the fact that I gave up my home in Barcelona and family in Barcelona to come to Liverpool shows how much faith I have in Rafael Benitez.
The fashion editor as it used to be has changed. Now you have to wear many hats, and whoever tells you differently is wrong. Now you're on TV, whether you want it or not.
I have seen everything possible covered in studs and grommets. Also, what I call angry shoes: those platforms with the multiple buckles and studs. I think the polished girl is back.
I've worked in animation for a long time. I started in Spain and I wanted to make feature films. That desire to figure out how to make animated features brought me to the U.S. to work for Disney.