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Somewhere lives a bad Cajun cook, just as somewhere must live one last ivory-billed woodpecker. For me, I don't expect ever to encounter either one.
Without the errors, wrong turns and blind alleys, without the doubling back and misdirection and fumbling and chance discoveries, there was not one bit of joy in walking the labyrinth.
I can't say, over the miles, that I had learned what I had wanted to know because I hadn't known what I wanted to know. But I did learn what I didn't know I wanted to know.
Franchises and chains have come to dominate small communities, but those same chains have eliminated a lot of the greasy spoons, places you didn't want to eat in the first place.
Beware thoughts that come in the night. They aren't turned properly; they come in askew, free of sense and restriction, deriving from the most remote of sources.
One of the sweet and expectable aspects of life afloat is the perpetual present moment one lives in and a perception that time is nothing more than the current, an eternal flowing back to the sea.
A man who couldn't make things go right could at least go. He could quit trying to get out of the way of life. Chuck routine. Live the real jeopardy of circumstance. It was a question of dignity.
Instead of insight, maybe all a man gets is strength to wander for a while. Maybe the only gift is a chance to inquire, to know nothing for certain. An inheritance of wonder and nothing more.
I contend that in the kind of nonfiction I write, and that other people also pursue, anything is permissible provided the reader knows what you're taking liberties with.
The four horsemen of the prairie are tornado, locust, drought, and fire, and the greatest of these is fire, a rider with two faces because for everything taken, it makes a return in equal measure.
It's difficult to write a book where a character is on virtually every page of the book but you cannot refer to his or her gender. It gets rid of every his, her, she and he.