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I would love to be a voice in this maelstrom of chaos and obsessive celebrity infatuation that says, 'Let's talk about something that matters'.
We are witnessing an enormous shift of collective consciousness throughout the world. We are at the precipice of great transformation within our culture and government.
I listen to music a lot, if I need to get into a particular space. I do stretching and breathing, and take time to mostly be quiet and find the stillness. I think that's important.
I've had some pretty stimulating conversations about where we are politically as a result of this movie [Snowden], but then there are a lot of questions just about that sensationalism of it.
The interesting thing about my character Sylar is that my strengths as an actor seemed to go completely against the shape of a character in the shadow.
I remember standing outside of the dorm by the little terrace. I was going to do this job that I wasn't 100 percent certain of, which ended up being much more fun than I expected [in So Notorious].
Even the former Attorney General of the United States Eric Holder has come out to say that he believed that [Edward] Snowden performed a public service, and I couldn't agree more.
What we do with the information now is up to us, but certainly I have a lot of respect for the courage and integrity that was required for [Edard Snowden] to take that action.
[Edward Snoden] has said many times that he's willing to come back and face trial if he can be guaranteed a fair trial, but the likelihood of that is so slim.
I saw how vulnerable we all are and how exposed we all are and how this is an issue that affects everyone who owns a piece of technology. Which is certainly most people in this country.
Maybe it's because it's connected to my childhood, or it's connected to the origins of what drove me creatively, but I feel like my life never makes more sense than when I'm in that process.
It's funny that you [Zachary Quinto] did a monologue from Pounding Nails in the Floor With My Forehead. I did the same thing for my university when I went to USC.
I remember Zachary Quinto were just about to go and do So Notorious on VH1, and I was super unemployed, and I think we spent a lot of time talking about how we weren't particularly happy.
I remember our conversations [with Zachary Quinto] always being frustrated that we weren't doing what we wanted to do, but also filled with the determination that we were going to overcome that.
I want to be working with directors who are at the top of their game. I want to be raising the bar for myself, and to me, the best way to do that is to prove to them that I'm the best for this job.
I knew I needed a partner. I needed someone who could focus on and spearhead the business side of things, and [Neal Dodson] was great at that. That's how it started.
That idea of comparison is what fans do. That's why fans exist. They believe in something and something connects to them, and they have passionate feelings and opinions about films.
The play I did on Broadway a couple of seasons ago started out of town and it moved its way into New York because of the experience that we had out of town.
When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
I just find that there's something about looking back on interviews, whether for purposes of remembering what I said about something or if it's for posterity when I'm 75.
My passion is acting, and has always been. It's what brought me to this point of being able to diversify and do other things, and I hope it's something I'll continue to have a passion for.
I think it's always good when you're able to, as an actor, allow your work to be some kind of a conduit for social discourse, and an examination of where we are, as a society.