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I'm drawn to dark characters, and to things that are really weighty.
Technology has come such a long way and you could pretty much do everything what's called 'in the box'. It means that it never has to leave your computer.
Domestic violence was a way of life in my home growing up, my brother and I watched helplessly numerous times as my mother was beaten and knocked unconscious while we dialed 911.
One could safely say that David Lifton took folly to an unprecedented level. And considering the monumental foolishness of his colleagues in the conspiracy community, that's saying something.
When you look at the basis for the immortality of the soul, you have these foundationless speculations and really, no intelligent reason for believing that there's life after death.
Like Godard, Tati is also remarkably appreciative of the odd beauty that can be revealed in the shapes, patterns and colors created by the technology of planned obsolescence.
Neither of us are workaholics. I think the key thing is to accept that if you only exist through what you do, then you become what you do, and this is very wrong.
It was like a dream to me to suddenly get into the market with that kind of movie, like La Haine. It actually created my identity as an actor, that thing.
I did direct two short movies. I learned many things, and one of the things I learned was that I am not a director. It has to be visceral, and it's not for me. I feel much more comfortable acting.
To me, Sheitan movie is the answer to all the problems we have in France concerning immigration. That is a fake problem; people can actually work together and do something very interesting out of it.
I have a huge relationship with Brazil; it's almost a love affair, I would say. And to me, to introduce that specific martial art like capoeira in Hollywood movies was something important to me.