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I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.
People need routines. It's like a theme in music. But it also restrictsyour thoughts and actions and limits your freedom. It structures your priorities and in some cases distorts your logic.
Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.
Whether in music or in fiction, the most basic thing is rhythm. Your style needs to have good, natural, steady rhythm, or people won't keep reading your work.
Suicides? Heart attacks? The papers didn't seem interested. The world was full of ways to die, too many to cover. Newsworthy deaths had to be exceptional. Most people go unobserved.
The others in the dorm thought I wanted to be a writer, because I was always alone with a book, but I had no such ambition. There was nothing I wanted to be.
He sometimes wondered if she had become involved with him just so that she could cry in someone's arms. Maybe she can't cry alone, and that's why she needs me.
Dreaming is the day job of novelists, but sharing our dreams is a still more important task for us. We cannot be novelists without this sense of sharing something.
Time really is one big continuous cloth, no? We habitually cut out pieces of time to fit us, so we tend to fool ourselves into thinking that time is our size, but it really goes on and on.
I would never see her again, except in memory. She was here, and now she's gone. There is no middle ground. Probably is a word that you may find south of the border. But never, ever west of the sun.
The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older.
I closed my eyes and tried to sleep. But it was not until much later that I was able to get any real sleep. In a place far away from anyone or anywhere, I drifted off for a moment.
When someone is trying very hard to get something, they don't. And when they're running away from something as hard as they can, it usually catches up with them.
I just gave them a little scare. A touch of psychological terror. As Joseph Conrad once wrote, true terror is the kind that men feel towards their imagination. (from Super-frog Saves Tokyo)