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The part an actor played on stage was once written on a separate roll of paper.
Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.
The face and the actor is great, but if you were to start out and you said, "my name is Humphrey" somebody would punch you out, because that's a stupid name to have.
It's OK if Tim McGraw goes and does a movie, and it's OK if Justin Timberlake does a movie, but it's not OK for an actor to become a singer. I never understood that.
Forget the credit, they (male actors) take all the money as well. We don't get paid even one-third of what male actors get. It's not so much about the money, but it's about (being a) woman.
There are a lot of actors who wish there was a next play, a next musical. As an actor, I guess that's all I can wish for - the next role, the next opportunity.
Despair is your friend in show business. I don't believe you can act if happiness is your lot. It's the ups that keep you living and the downs that mete out talent.
You have to remember that Hollywood is in the business of making movies that they can sell tickets to, they're not in the business of finding great roles for actors.
I learned a lot about acting - watching not just myself but other actors and learning how to distinguish between two great takes. It's also about one's own taste in performance.
I simply know what the actor's attitude should be and what he should say. He doesn't, because he can't see the relationship that begins to exist between his body and the other things in the scene.
I always tell actors, "Don't think of it as unemployment when you don't have a job. You have to think of it as being in preparation for your next job." You have to be always preparing for success.
As an actor in the theater you're taught that you never play a bad guy. You have to love who you are. You can't say, "Oh, I'm a bad guy." How do you play that?
It's only been a couple of times in my life that I've really locked horns with actors. It did not hurt the films, it just hurt the moment of the filmmaking.
I don't know, I find that honestly, the stand-up thing in some ways is a little bit of a cliché to carry around, because people don't consider stand-ups really actors.
The technique's many benefits for actors include minimized tension, centeredness, vocal relaxation, and responsiveness, mind/body connection and about an inch and a half of additional height.
I found American actors quite scary because they're brilliant actors and brilliantly funny, and they never stopped once you wound them up... off they went and they just deliver fantastic stuff.