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If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
I honestly have no interest in celebrity whatsoever. If anything, I always cringe at it because it takes away from what I am, which is an actor who wants to be better and do better things.
Most actors are starving. Most of us are walking around with a flashlight and tweezers looking for evidence. When you have someone that actually writes an acting role, it's rare.
I actually don't have a problem with shooting and then just walking away and forgetting about it. I'm not really like a Method actor or an old soul. It doesn't stay with me.
I can't say that I haven't done some bad acting in my time. I have. Usually that involves what we actors call indicating, when you twirl your mustache.
The offers were, like, a lot of money - maybe not for other actors, but definitely for me. But I don't want that power. I don't want $20-million power.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
Music and language are a vital element. We, as actors and directors, offer it to people who want to experience it. Sometimes the actual meaning is less important than the words themselves.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
You always absorb a lot from a great actor. What you want, as an actor, no matter where you are in your career, is a partner who's going to bring everything they have to the scene.
Actors tend to be quite good at getting on with people. If you’re an arsehole, people don’t want to work with you. You won’t get hired Well, there are a few arseholes.
An act cannot be defined by the end sought by the actor, for an identical system of behaviour may be adjustable to too many different ends without altering its nature.
The collaboration really begins once the rehearsal starts. This is when the actor takes his place, because he becomes the one who is going to bring the words of the author off the page.
As actors, we were fighting that tooth and nail because of fear, because language is a crutch and dialogue is a crutch, and it's so easy to just have a great writer write you a line.
In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
With the films I've done, I've written on them, I've acted in some of them. And even ones I haven't acted in, I've acted them out just to be sure another actor can do them.
You've got Corey Feldman doing his thing, and the problem is, they're trying to be pop stars. You can't compare Salty to any of the other actors out there playing music