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I'm the empty stage where various actors act out various plays.
When I was young I used to sit in the cinema thinking wouldn't it be great if you could have a film in which the characters were like real people instead of being like actors.
One of the grave dangers inherent in the various stages of any theatrical career-whether it be budding, quiescent or diminishing-is the advice of friends.
I know that I'm better as an actor when I'm working with a good actor. I think anytime you're working with a better actor, it makes you a better actor.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
Actors will never be replaced. The thought that somehow a computer version of a character is going to be something people prefer to look at is a ludicrous idea.
...as an actor there's nothing better than a great moody moment to play with nothing to say. It's so much easier to do because you can really get inside your head.
If the scene bores you when you read it, rest assured it WILL bore the actors, and will then bore the audience, and we're all going to be back in the breadline.
I'm always excited to be around other actors. I sometimes only get to work with myself, and it's so tedious. I was so excited to go to work every day, and we ran into work every day.
Actors have bodyguards and entourages not because anybody wants to hurt them - who would want to hurt an actor? - but because they want to get recognized. God forbid someone doesn't recognize them.
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
At one point you think, well, it's funny, I could just be a starving actor... So if somebody were to pull the plug right now, there'd be no room for complaint.