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I wanted to make the album I always needed to make. I had to say the things I never could.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you.
And then the last album, "Get It", was done over a shorter period of time and I started using other musicians, as opposed to playing all the instruments myself like I did on the other two.
I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.
'In Utero' was the first time I'd made an album that reached into the dark side. I remember the conflict and the uncertainty. I remember all those things when I hear 'Pennyroyal Tea.'
Once I got into punk rock, I started mail-ordering albums, because a lot of the record stores in my area didn't carry the punk bands from England or Sweden or Chicago or Los Angeles
In a way, as much as we love to be a big, loud rock band, the acoustic album was a lot easier to make than the rock records. I think because it was brand new territory for the band.
I produced her first album, and I was breaking up with her at the time. That was not comfortable. Falling in love with Joni Mitchell is a bit like falling into a cement mixer!
I just kinda like playing. I don't necessarily go on tour to promote my albums. I'm on the road all the time. The fact that I have a new record is out is a coincidence.
You need an audience to help you figure out what's working and what's worth putting on your album or your special - or even just what's worth touring with.
Usually bands would make a song to record for an album, but what happens with the deejays you say "Well the album is everything we need. Thanks band. You can go away now."
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
I do write a lot of children's songs, and I'm going to do a children's television show, which also means I'll be doing a lot of albums. So I do hope my future will hold a lot of things for children.
I'm very proud of all the bluegrass-oriented albums. It just reminded me and my fans that I should always record acoustic music and country records, along with anything else that I might want to do.
It is definitely much easier to feel that an album is disposable - to dismiss an album or delete the tracks you don't like or to just throw it into shuffle or whatever.
So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out.
A good producer brings out the best in the artist he's working with. You shouldn't be able to listen to something and say, 'So-and-so produced this album.