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I try to deliver because I don't believe that people are deliverin' the same quality of albums.
["A Deal with God"] was the first single off Hounds of Love. I'd put a lot of work into putting that album together and I wanted it to have every chance.
What I've heard from younger women and women my age is that the albums changed their lives or it was the first time they had heard feminism that they could relate to. So that's great.
I wanted to make a very cohesive-sounding album. Anyone who has listened to me and brought me into their living rooms and their bedrooms - I am making this for them.
I've put out kind of a lot of albums and people seem to like it and the crowds keep getting bigger and bigger, so I think maybe I could make a life out of it.
It's such a normal thing for a dance producer to make music and try it out in the club, but that was relatively new to me. I wanted to make a good album that felt like it had a point.
I had BEEN making futuristic records way before a lot of the groups that came out, but now everybody is running to make their albums sound new, but it sounds too made up.
You go in and record and sing them some and you go back in and rerecord and sing them some more. That's kind of how I did this album [The Art of Elegance].
I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.
I love playing the drums - I really get a lot out of it - but I don't think I'm a good enough drummer to be playing live drums on all 10 tracks on my album.
Time is so fast that all times are past times! When you look at a photo of the past, you must know that you are already in the album, someone else is looking at your photo! All times are past times!
Putting out my album on my own label has been a great experience for me. It's been very inspiring. It's like a new start for me and having all this creative freedom is so liberating and exciting.