Albums Quotes

We have recorded songs on the same day that were released years later in other albums.

Lionel [Richie] said, "Yeah, I learned chords and stuff playin' against your albums."

The melody is French. But that's the end of the record. I named it "Jean Pierre Then There Were None," you know, because of the big explosion. You'll like it. It's a nice album.

Albums that remind me of my childhood happiness make me incredibly sad now.

Don't get me wrong, I love my first two albums a lot.

For each album, I let the music that I love at that point in my life be my guide.

I titled the album Reflections because I am reflecting on my music career.

So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore.

To be honest, we're really nervous right now. It's our third album, so it's gotta be our best and biggest.

What I love about making albums in the 21st century is that so few people buy albums! I can make an album without any commercial concerns whatsoever.

I have nothing against bombastic music, but when it comes to making albums, I'd prefer to make music that has a sort of vulnerable subtlety to it.

I think it'd be great if Prince made an album of just romantic, slow ballads.

I wouldn't mind doing Broadway, but I am definitely trying to get a album out there first.

Family photo albums are so powerful in that they make kids feel valued, cherished and respected.

You don't want to disappoint. Especially someone like me who's been out of music for years and hasn't had an album in like, four years.

I write a column for The Village Voice, which I've done since time immemorial, and occasionally - and books. And I occasionally write minor notes for record albums and occasional articles.

The success of Torn was a bit too much for me. I took a year off and was still scared to start the second album.

When it came time to sequence the album, the new arrangements really demanded a different order. They were so different than they were before that the old sequence didn't work anymore.

I always tried to make a diverse album in terms of emotions and sounds.

It was always a great challenge: how can I make a dreampop album that's still very Alcest, but not a ripoff - how to keep the core.

I'm always happy when I see something written on an album that wasn't just typed on a computer.

Obviously with every new album we make, we always have to believe in it and feel we've gone in the right direction.

Pink Friday Eminem 8 Mile, It must hurt to sell your album on Paypal.

My features & my shows 10 times your pay 50k for a verse no album out

The second album of Black Mages is currently in the process of recording and the basic tracks have already been completed. Hopefully sometime in the future we will be able to have a concert.

I would love to make a real jazz album someday because I never have. But that's something I'm not in a rush to do.

There was an enormous amount of pressure when my first album took off, and I struggled with the speed of everything and the exhaustion from the constant touring.

The album for Fiddler really took off. I think it was a combination of John Williams and the score. It was a very classy big album.

People are always going to have favorite albums or songs and you know that's more the listener's personal bias than basing it on anything musical or actual. I'm the same way as a listener.

I feel quite excited about the possibility of working on multiple albums. There's something really iconic about having a catalog featuring a lot of albums, and I'd love to have that legacy.

I just really want to make albums - and however I can, I will.

When you put an album out, you can't do any material from the album if people are paying to see you.

A lot of the Beatles albums were very various, and we did it on purpose: We didn't want the next track to sound like the last one.

I'm always going forward toward something, and that something is usually an album, because I like to record. I probably like to record more than I like to write.

I rate each album as better than the last one. That's how I see it.

My solo albums will be instrumental, but I would be open to working with a vocalist if the right project came along.

I only put an album out every two or three years.

I see my albums as working diaries, as living scrapbooks of me and my life.

I started in a band called Timbiriche, we toured the world when I was 8; I have 23 albums.

A model wears clothes and looks good, which is very passive. It's not like a musician promoting a new album. You don't have to read about it.

Sometimes people's careers take off on their first albums, sometimes they don't.

If an artist wants to work with me because they feel I've made some credible albums and there've been things that are long-lasting, it's because those artists took the time and we built an idea.

I just made my album. I did my best, and I uploaded the video just at YouTube. That was all.

You can't ask someone who is not making that kind of money to go to the record store and buy an album when someone down the street has the same record with same sound quality for $5.

My album will manifest many things I saw,did or heard about; I talk first hand never word of mouth.

I'm working on my new album right now. Hopefully to get that out at the top of 2005, January 2005.

I don't make summer jams or albums based on time or seasons; my goal is to make quality music, timeless music. I'm not looking at the calendar.

I'm not an artist that makes singles, I'm an artist that makes albums, and it's a totally different thing.

I've never been the type of person to jump up and throw out the album without it being what it's supposed to be.

Albums aren't even selling anymore and there's a reason for that. Record companies are just signing single and ring tone deals and it doesn't seem like they're focusing on albums.