Albums Quotes

For anyone approaching any one of the cast albums, if they don't like what they hear, it's not the performer's fault.

I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.

I think you go through different phases when you do albums, and I think that they change according to where you are in your life and what you're inspired by at the moment.

It's not really a conscious decision to do a quiet album or a noisier album. It's just something that happens, I guess.

I have recorded nine tracks for a new album which I financed myself and am looking for a home for.

I have been fortunate enough to record several singles and a whole album with Chet Atkins.

Even though it felt completely natural - strangely enough - recording an album, I was very shy about making it public.

As long as someone wants to hear my music, I don't care if it's a ringtone or the album or whatever.

I think you have to drop an album to truly see the effects of your following.

What is Norah Jones' style? Is it just the albums that we've heard? She has a rock group where she plays guitar in, downtown in New York, so do we really know her style?

If you look at my career, doing albums with Norah Jones, Justin Timberlake, Gucci Mane and Lil Wayne or KRS-One and Jean Grae, I can't be pigeonholed.

I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What's the point?

A letdown is worth a few songs. A heartbreak is worth a few albums.

I put out one album one week, and I'm already worried about the next one. I feel a lot of emotion throughout the course of a day. But not to the point where you need to be worried about me.

I don't think I'd ever make an album of just covers because I love writing my own music.

To all the boys who inspired this album: You should've known. ;)

There's a lot of pressure putting an album out all over the world and hoping people everywhere like it.

A development deal is where they're giving you recording time and money to record, but not promising that they'll put an album out.

I love touring. But it's super nice to have a new reason to play shows that isn't based around that perennial cycle of album/tour/promotion.

My first album came out in 1979.

I want to make an album with just great beats and big vocals and just amazing lyrics.

Every album is difficult. If it was easy, we'd make one a month.

I've been performing since the 60s and I made my first album in 1969, so it's been a bit over twenty years.

The first time I really listened to an album and thought, This album is mine, was Kanyes Late Registration.

The second album is the hardest to write. Its nothing like the first album.

I want to put my vibe and my feel of music into an album and have people from different places around the world feel that and hear that.

If Bono can release an album out of nowhere then so can I!

I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.

When you look at the Lady Gagas of the world, or the Jay-Zs, or the Black Eyed Peas, these are people who have one album release and it's a worldwide one.

There's a band of studio session - hot players - that play on my albums... They're an eclectic bunch of misfits that I've worked with for years and years.

I did an instrumental jazz album. That was my first album.

I don't have an album cover with me on a broomstick.

When I started recording, I thought I'd be able to do all kinds of records: jazz, country, dance - and I've always wanted to do a gospel album.

I’ve never met anyone who made it with a chick because they owned a Tom Waits album. I’ve got all three, and it’s never helped me.

Aerosmith's 'Rocks' is on the list of my top favorite albums of all time.

I look at other artists who have had fabulous first albums, and you don't know what they're doing today. Who's to say I'll be an exception to that rule?

I've always been able to do sprinkles of hip-hop here and there in all my albums, but I'm not sure how my fans are gonna feel about coming out first with something that's so hip-hop.

You can never go back to the first two albums in a career.

I plan to do my next two albums with Lady Gaga . She is quite a talent.

I'm a player and I do it because I love playing whether it's for my album or someone else's.

I have over 150 or 200 records recorded. We have so many EP's and LP's. It's just picking the best records to put the best possible album together.

When I made my first album, there was no indication that anybody other than my parents were going to buy it.

What excites me is the idea of doing a record that's pretty clean and focused on songs. I've rushed a lot with previous albums and there's not a rush now - it's not a race.

The next album I make might be the most messed up thing ever. It's all momentary for me.

I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.

You can put out an album and it could be totally out of the window as far as what you want to do performance-wise.

When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.

Listening to albums and records is not the best way to percept Verka Serduchka. Live shows are the place where you can feel that specific atmosphere, that is not going to be the same ever.

I write in English. My first album came out in Italy, and I toured and did gigs.

Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.