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I used to make albums because I wasn't touring, and so I thought, "This is the best way for people to find out about me.
I don't remember doing anything else; I don't remember not living in the studio. I'm itching for people to hear this album because I'm sick of hearing it myself.
The reaction to this album has just been fabulous around the world... and I've had offers to perform from around the world and I'm tempted to do it. I've got itchy lips.
But I always held my music up and protected it from compromise. So I just do it for my friends. I've written hundreds of songs, and I'm sure I have a few albums worth of songs.
I'm rarely grabbed by anything the way I was when I was 10 years younger. About the only relatively new artists whose albums I own are Beck, and They Might Be Giants.
A lot of people influenced me as I was learning but probably Bing Crosby was the most influential, because I would hear his Christmas albums, which my parents played a lot.
I think it would be nice to sell 15 million albums as a solo artist. I'd have to deal with all the repercussions of that, but that wouldn't be too bad.
When we were on the road, I found out that my greatest hits album went Gold. They freaked out. Things really came to a head when we started arguing about a Van Halen greatest hits package.
KRS-One is one of my favorite rappers ever. I actually don't even know why I have this on my computer, but I do. I really like this album, Criminal Minded.
Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why.
Even though the album is an endangered species, can we try and make a coherent and good one, even if it's like making a horse and cart at a Nascar conference?
I tasted huge success with my first album, and when it's happening it feels like a roller coaster you can't get off. You should be very careful about wishing for success on that scale.
I wouldn't buy somebody's album on a dare if they called him a musician's musician. I don't write to be a writer's writer. I don't want to be like the little-magazine writer.
All I can say is that I've had too many people in the hip-hop industry really like what I'm doing. I know where I'm coming from, and the album speaks for itself.
A lot of the records you buy, there's nothing you can hold in your hand, it's all 1′s and 0′s, this digital cloud floating in the ether, but with analog albums, you can hold it in your hand.
Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.