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A conversation with you is a different thing than projecting to a couple hundred people. It's bigger and more animated and it's on a bigger scope, but still in the heart, it's honestly me.
I am pretty interested in trying to write and produce an animated film at some point, but that's a job that takes several years, minimum, to get an animated movie going.
Warner Bros. is really open-minded, as far as studios go, when it comes to the types of movies they'll entertain, even with animated movies. It's a great place to be.
Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.
On an animated movie, I'm learning as I go. There are so many details in animation. Doing the voices was the easy-part. Doing live-action, you have to be on the set, every day.
When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.
I grew up watching all the great Disney animated films and to be able to carry that torch and know that I'm contributing to the same magic and wonder for a whole new generation is a great thing.
I have some calls out to Tom Cruise, Brad Pitt and Eddie Murphy. I said, 'I won't star in any blockbuster films if you stay out of animated films.' They just won't call me back.
Modern animated movies are the products not of anyone’s individual vision, but rather a scattered accumulation of compromises made out of fear by members of large committees.
The first animation thing I did was the first Transformers, the one that was animated many years ago. And I had heard that Orson Welles was doing a voice on it.
[Before introducing the nominees for best animated film] If you're at the awards party with the guys who made the Lego Movie, now would be a good time to distract them.
There was a point a few years ago where I realized I started out playing boys on camera and stage, and then I translated that to playing boys in animated shows. I was like, "Whoa, this is intense."
I've worked in animation for a long time. I started in Spain and I wanted to make feature films. That desire to figure out how to make animated features brought me to the U.S. to work for Disney.
If you've never woken up from a car accident to discover that your wife is dead and you're an animated, rotting corpse, then you probably wouldn't understand.
I grew up, probably like a lot of people, on cartoons. And I never thought I would have the chance to be in an animated movie. It's good also to show the world my sweet side with them.
I animated everything traditionally, on paper. I love how the texture of paper looks (it also matches textures of papier-mâché) and I love the tactile process.