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Art itself, in all its methods, is the child of religion. The highest and best works in architecture, sculpture and painting, poetry and music, have been born out of the religion of Nature.
It's not so much about form versus functionality. Rather, it's about doing both and doing them a lot and doing them well-and that's how we should be talking about architecture.
I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface.
Where do architects and designers get their ideas? The answer, of course, is mainly from other architects and designers, so is it mere casuistry to distinguish between tradition and plagiarism?
The beauty of my profession [architecture] lies in its randomness and surprise. And don't think I can choose my projects. I have to build what's offered to me.
The current state of architecture and design requires extensive collaboration and an investigative attitude and we continue to research and develop new technologies.
After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared.
The more I examine the universe and study the details of its architecture, the more evidence I find that the universe in some sense must have known that we were coming.
I think the future of architecture does not lie so much in continuing to fill up the landscape, as in bringing back life and order to our cities and towns.
In architecture as in all other operative arts, the end must direct the operation. The end is to build well. Well building has three conditions: Commodity, Firmness and Delight.
Hong Kong is a nice playground for my street pieces as the architecture is very different from my home city. It's also a great opportunity to take place in a dynamic city of the global art scene.
I received the fundamentals of my education in school, but that was not enough. My real education, the superstructure, the details, the true architecture, I got out of the public library.
A novel is a piece of architecture. It's not random wallowings or confessional diaries. It's a building-it has to have walls and floors and the bathrooms have to work.
There are only four great arts: music, painting, sculpture, and ornamental pastry- architecture being perhaps the least banal derivative of the latter.
I've never had a problem with the old truism about dancing to architecture. I think you can dance to architecture. There's some pretty funky architecture to dance to.
Architecture would lead us to all the arts, as it did with earlier mean: but if we despise it and take no note of how we are housed, the other arts will have a hard time of it indeed.
The sculpture is already complete within the marble block, before I start my work. It is already there, I just have to chisel away the superfluous material.
In music I do not look for logic. I am quite intuitive on the whole and know no theories. I never like a work if I cannot intuitively grasp its inner unity (architecture).
Architecture is made of memory. The slope of a roof, the shape of a window, and the color of a door contain the record of the minds that conceived them and the hands that crafted them.