Artwork Quotes

Overall I think the show went well, kudos to Miss Jeanie It was well rounded. From artwork to singing, to spoken word to short films, I think it definitely stimulated the audience's senses.

If you haven't been to Burning Man, you should do it once. It's an extraordinary experience. Some of the best artwork I've ever seen in or out of a museum. Amazing.

I was buying old records a lot in my early teenage years and I was mostly drawn toward the artwork even more than the band itself. I loved the way the art set the scene for the music.

It's not so much a philosophy as much as it is a pace. We need to be personally involved with every aspect of the records including the artwork, we want everything to have a similar aesthetic.

Nothing is more hackneyed than the liberal dogma that shock value confers automatic importance on an artwork.

There are certain moments where artwork might seem like it's part of someone's career - if you really know the art world - , but I did my best to prevent that overlap.

I found being able to change things on the fly and react to the changes in the artwork makes it stronger. And I feel like I'm not doing the job twice.

Artwork is super-important, that's why my videos are the way they are.

I'm trying to create artwork that makes people, and myself, think about judgment as a reflex. This is something that must be changed.

By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.

Any artwork needs time and patience and needs above a quiet mind.

I enjoy singing my songs in front of people. I enjoy being involved in making the artwork for albums and stupid stuff like that.

If you don't know how to look, you'll end up putting down the wrong things, which only dilutes or cancels the power of your artwork.

All the records I've put out have had either artwork that I did while I was young or something that my Dad painted.

Often people try and just consider music as music, in a musical context. People seem to forget that music is not just audio material - it's also the artwork, the packaging it comes in.

I have thousands of tapes, and photos and fliers, letters, posters, artwork - basically everything that ever happened, I kept. I'm not a hoarder, though. I'm sort of a librarian.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

I produce a lot of my artwork in Germany.

I would categorize my books as literature, and I hope that is how they would be consumed. The books do not rely on the artwork to be understood, but I need my art practice to write them.

I haven't made art about Israel. There's a covert subtext of Jewish identity in my artwork.

I'm just a dude and I feel like being completely isolated would be kind of a drag. I really do get a lot of energy from feedback from fans. People create music videos and artwork for my music.

I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever?

It's the ultimate conceptual artwork. I took a piece of metal and just painted an image of a stop sign on it - a four-by-four-foot stop sign.

One of the reasons I picked Pacifica was because, for a lot of classes and for your thesis, you could do artwork because of the Jungian slant of it all, and that really called to me.

I'm not going to work with a company that uses my artwork, which is precious to me, and not allow me to do certain things.

All my album artwork is body painting.

I rather hate the whole digital world concerning music - nothing to touch, too many songs and no thread, no artwork etc., and no label to talk with and have support from.

I write all the time. I do artwork that's part of a diary, and I write short stories to go with them pretty much every day.

The digital artwork is characterized not by the technology which delivers it, but by the "passage" itself.

It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.

I wrote a graphic novel called 'Soul Stealer' with big, beautiful, epic artwork by Chris Shy. It grew into a trilogy.

There are so many different desires that make you execute an artwork.

Record stores are great because it's good to physically get your hands on the music instead of downloading. It's always better to get the artwork too.

I think the overall mood of the music informs the artwork, but I've found that good lyrics can be inspirational, too.

I have to speak for myself. As far as videos go - casting, the artwork, everything - I'm completely hands-on. You have to be if you want your points across.

I'm a visual artist myself and always have been so it's very natural for me to be very concerned with presentation, whether it's artwork or onstage.

CD's are amazing because you get the artwork, you get to look at the lyrics, you get to look at the behind-the-scenes photos or something.

Being honest in the spotlight is the worst idea . But I do like when artists are honest and are able to build a persona for the artwork with their honesty. That's really good.

Any artwork is part of something larger, grander and, you know, the situation that it's in is very important.

I always hope that the artwork will complement and enrich a story.

My dad and I collaborate on the artwork. He does all of the design and layout. He uses my sketches and drawings or weird things to mix into it or put on the merch.

I was very conceptual about what I was doing; I had the first five albums planned out, and all the songs on every album, and the artwork. I always had these ambitious musical projects in mind.

In fact, I was too dumb to save any of the old comic books or the old artwork. I used to give them away.

The business of living - that's your artwork, and the process of that is finding out who you are, what it all means.

Beethoven and Michelangelo, who sold their artworks for profit, were entrepreneurs and capitalists.

I like walking into the studio everyday and having completely custom, diverse artwork to do. And my clients keep the interesting ideas flowing in.

Although my everyday artwork is tattoo oriented, I definitely do not try to limit my art or art mediums.

I get to do some kind of artwork almost everyday and it just so happens that I can pay the bills and support my family while doing it.

I became an artist because I wanted to be an active participant in the conversation about art.

Let's always try to paint the truth ... our art must be made to mean something.