Audience Quotes
Audience Quote of the day
When I miss class for one day, I know it. When I miss class for two days, my teacher knows it. When I miss class for three days, the audience knows it.
If you want to reach every person in the audience, it's not about being bigger, it's about going deeper.
Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience.
There's something whimsical, satirical, and silly about British humor, which Americans have always enjoyed, and lots of us come over here because we have an audience of people who enjoy it.
There can be no revival when Mr. Amen and Mr. Wet-Eyes are not found in the audience.
I've always been the breadwinner and men don't like that. They turn on you. They bite the hand that feeds them. Eventually, too, they become very jealous of the love one has with an audience.
I'm a firm believer that character is highly overrated. Character is a trick that we do with the audience's collusion.
Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues -- communicating with an audience.
The target audience goes back to conception. That means pre-natal care, safe delivery, post-natal screening, and the ordinary stuff you do in pediatrics.
In the Netherlands I read the first chapter of Exquisite Corpse to an audience that laughed in all the places I thought were funny - an experience I've never had in America!
I live before the audience of One-before others I have nothing to gain, nothing to lose, nothing to prove.
Reason and truth have rarely prevailed against demagoguery when the audience is too ignorant to tell the difference.
A director standing by his film rejected by the audience is like him telling a girl 'I love myself and I don't care if you don't love me'.
If I miss one day of practice, I notice it. If I miss two days, the critics notice it. If I miss three days, the audience notices it.
A cinematographer is a visual psychiatrist, moving an audience... making them think the way you want them to think, painting pictures in the dark.
Music is an essential part of everything we do. Like puppetry, music has an abstract quality which speaks to a worldwide audience in a wonderful way that nourishes the soul.
I started in 1946 in radio. I was ten years old. I was discovered singing in a school play. Someone was in the audience and it's six degrees of separation.
You have a responsibility for the way you make the audience feel, and I want them to feel uncomfortable.
I need to talk about Chinese culture. We have deep, strong philosophy and culture. I want to share some information, tell the worldwide audience.
By manipulating what you hear and how you hear it - and what other things you don't hear - you can not only help tell the story, you can help the audience get into the mind of the character.
With a theatre audience there's always the additional sense of a sustained challenge of which I'm acutely aware and for which you need to have the tools ready - your voice, physicality, brain.
I usually say Latina, Mexican-American or American Mexican, and in certain contexts, Chicana, depending on whether my audience understands the term or not.
Standing ovations have become far too commonplace. What we need are ovations where the audience members all punch and kick one another.
If the people in the audience are talking, you're being ignored. If the people are gazing at you, you've got something they want to hear.
Both film and fashion are businesses where the audience doesn't feel or see the work that goes on behind the scenes.
And who knows? Somewhere out in this audience may even be someone who will one day follow in my footsteps, and preside over the White House as the President's spouse. I wish him well!
Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique.
Discourse on virtue and they pass by in droves. Whistle and dance the shimmy, and you've got an audience.
Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.
Violent resistance and nonviolent resistance share one very important thing in common: They are both a form of theater seeking an audience to their cause.
As a writer, it's disheartening to write books that you pour your soul into and not have them distributed widely enough to find their audience.
I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images.
Johnny Rotten. He's a big fan of mine. I used to see him out in the audience in England and he'd stand up and holler. He's funny. Smart too, and a nice guy. Don't think he's a jerk because he isn't.
This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once: scene, actor, prompter, stage manager, author, audience, and critic.
Dancers work and live from the inside. They drive themselves constantly producing a glow that lights not only themselves but audience after audience.
Going on stage and transcending the audience and becoming this otherworldly thing makes you a dancer. It's not so black and white.
The secret of the demagogue is to make himself as stupid as his audience so they believe they are clever as he.
Conductors must give unmistakable and suggestive signals to the orchestra, not choreography to the audience.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
Although it is a fantasy film, it's as real as it can be. You have to imagine that an audience will buy their ticket to a cinema and get on a first-class flight and journey to Middle Earth.
You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
