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There's five cameras, I don't know how many people in the audience... depending on where we're taping, there can be anywhere from 300 to 5,000 people, so the contestants are nervous
In my opinion, understanding who your target audience is, and what they want, and writing to them (and only them!) is the most important component of being successful as an author.
in television the product is not the program; the product is the audience and the consumer of that product is the advertiser. The advertiser does not 'buy' a news program. He buys an audience.
I really want younger audience members to see kids in their early 20's playing Frank's music and to be inspired to take things to a higher level themselves.
Free speech is not to be regulated like diseased cattle and impure butter. The audience (in this case, the judge or the jury) that hissed yesterday may applaud today, even for the same performance.
There's music that can affect people in their lives, and they will always relate to the point that they heard it and experienced it, either if you're playing it or you're receptive, as an audience.
The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.
The only people with power today are the audience. And that is increasing with Twitter, Facebook, and everything else. We cater to their likes and dislikes, and you ignore that at your peril.
The moment you begin to depend on audience reaction, you're doing the wrong thing. You're doin' it wrong, it's a mistake, it's not right. You can't allow yourself, no matter what, to depend on them.
The select group of people who do make realistic cinema, who do make cinema perhaps a little more acceptable to the Western audience, is a very small percentage.
Taken as a whole the mass media seldom rises to the level of deplorable trash, but it is also true that there is no mass audience in America for anything better.
I reached the stage where I was afraid to wiggle my leg, but then I thought 'why shouldn't I?' It's what I do and now I know how to turn an audience on again.
As an actor, you hope to find roles that are challenging to you as an artist. Then if you are truly blessed, you will find that it also carries a message that you can impart to your audience.
Comedy and horror are cousins; they're related. They both come from storytellers who want to specifically affect the audience and elicit specific reactions during the movie.
No one who has experienced facing a screaming, boiling, hysterical audience can avoid feeling shivers in the spine. It's a thin line between celebration and menace.
I felt like I was flying without a net. But once I realized that the audience was my partner, I was flying a jet, because the people would allow me to develop the character on stage.