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I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy.
I know how to write stories that are accessible to younger readers, and sophisticated enough for older ones. I'm not a big fan of the all ages label, but I keep a wider audience in mind.
The show I did in England catered to a broad range of people. I like that. I don't want nouveau cult status, though I know we've got that sort of audience in the states.
There's always something every night that I learn from reacting to what the audience is reacting to. You learn what to leave out, what to put in, if you need a little more comedy or more drama.
I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
Any New York group can come to L.A. and sell out every show, but an L.A. group who goes to New York might not do the same because the audience hasn't been introduced to the group.
The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie.
Man, you can come see me six or seven times in a row and you'll never see the same show twice, because I don't like to be robotic onstage. I like to perform for that particular audience.
All I mean is, I'm not the kind of audience comedy directors want at a test screening because I seldom laugh, and if I do, it's not very loud. That doesn't mean I don't like the movie.
When you're singing you can hear the echo of people in the audience singing every single word with you, and that was that big dream that I had for myself. It's happening.
My progress reminded me of the horses in The Whip. They raced at the limit of their speed directly toward the audience. But they raced on a treadmill which canceled out their progress.
At MTV, although the audience is smaller, I found it more interesting to deliver news to a specific group of people, because my story then did not have to try to be all things to all people.
When I tried to branch out into comedy, I didn't do very well at it, so I went back to doing what I do naturally well, or what the audience expects from me - action pictures.
All I want to do is make sure that art is available to all Americans in a participatory way, whether you engage in the art process yourself or you're an audience member.
Listen to advice. You don't know how many writer's conferences I've taught at where at least half the audience fights all the conventions of the field.
I really enjoy playing that everyman part because that part is us, the audience. And you need somebody inside a comedy to tether the absurdity to reality.
In the best-case scenario, the audience sees themselves in your shoes. The only way you can do that is if you try to play it as if it was happening to you.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
It's one that still happens, actually... forgetting a part of a difficult piece. Usually, the chances of it happening are directly proportional to how quiet and attentive the audience is.
I like a movie that the audience actively has to participate in, and not just casually observe. Whatever my part in it, just as an audience member, I find that exciting.
I have sung for Americans of every political persuasion, and I am proud that I never refuse to sing to an audience, no matter what religion or color of their skin, or situation in life.
Harry Collins was the first magician I ever saw back in 1965 when I was five years old. He was doing a magic show and I was the volunteer from the audience.