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I didn't get into film to win Academy Awards. I wanted to have a conversation with the audience.
Harry Collins was the first magician I ever saw back in 1965 when I was five years old. He was doing a magic show and I was the volunteer from the audience.
I have sung for Americans of every political persuasion, and I am proud that I never refuse to sing to an audience, no matter what religion or color of their skin, or situation in life.
Having an audience is almost like plugging me into an electrical outlet. People feed me so much of their energy. We have a great time. It's all about the fellowship.
There is no substitute for skill. It is the priceless possession of every great artist in every field of endeavor. It is instinctly felt by an audience and is reflected in the superiority of his work
The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh.
I've always wanted to stay involved with young people. I never bought into the idea that entertainers owe nothing to their audience except a good performance.
I always want the audience to identify with my character in some way. I mean, sometimes you'll get characters that aren't very identifiable. Sometimes you can't relate to your character at all.
I think it's important to keep the audience interested. But the best advice that I've gotten is to live in the moment. Sometimes you can get too into your head when you're in a scene.
For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.
Our contexts are foreign. They derive from church tradition that is thousands of years removed from the people who wrote Scripture and the audience to whom those people wrote.
The artist must ever play and experiment with new means of arranging experience, even though the majority of his audience may prefer to remain fixed in their old perceptual attitudes.
That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.