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The key is for the audience never to know, so I have a plan B for every illusion.
Most actors spend a lot of time training themselves to be an actor. And I kind of didn't do that. I just started doin' it in front of an audience and had to deliver.
I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.
Silence means they [the audience] are paying attention. Even if I drop bombs and they're dead quiet, it's still okay. If they start talking, that's when you've lost them.
If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not going to be as good as doing the same piece in front of an audience.
The best part about being a stand-up is the connection with the audience. There's nothing more gratifying then when you can make 300 people applaud and stand up - because that's all you.
Indeed, most magicians catch the bug as kids. My first audience was my family in Long Island. My first 'assistant' was my mother, whom I levitated on a broom in our living room.
The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to.
I'm not the best audience for that because I'm not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.
There are points where you worry that you might be putting too much in and alienating the audience. But, funnily enough, some of those fears aren't correct.
It's rather like attending a university seminar where you are talking to a few gifted specialists who deliver a paper to an audience of their peers. That's one way of making music.
It was important that I learn that what I wanted was no different from what other artists wanted: confidence that I could be my own censor, audience, and competition.
Every good writer or filmmaker has something eating at them, right? That they can't quite get off their back . And so your job is to make your audience care about your obsessions.
I was always concerned with writing to my age at a particular moment. That was the way I would keep faith with the audience that supported me as I went along.
An interesting play cannot in the nature of things mean anything but a play in which problems of conduct and character of personalimportance to the audience are raised and suggestively discussed.
Anything that loosens you up and makes you freer is good, because that's what acting and performing is all about - being free. It gives you a better connection to the audience.
All these horror movies are slasher film now. I like them, they're fun, but they wink at the audience and you're really not terrified through the movie.
There are some who speak well and write badly. For the place and the audience warm them, and draw from their minds more than they think of without that warmth.
I liked working with Tom Christopher as he was great as Hawk, and Wilfred Hyde White but I wished it were in a different context as the changes really tuned off the audience.
If you have a recital to do, you have to memorize the songs. I never use music when I do recitals. It produces an instant barrier, both for yourself and the audience.