Audience Quotes

We have audiences that seem to be embracing whether they've heard of the characters or not.

I'm glad I took that time to work really hard on the music. I feel the effects of that now in a positive way with my connection with the audience.

A bad guy always assumes he's going to win, whereas the good guy has to struggle with, what if I lose?, and the audience wants to struggle with him.

Country seems to be finding a bigger audience. Certainly an audience out of the general country scene is finding me.

Today is tax day. A lot of people are hoping they get refunds. And that's just the folks here in the audience.

Lasse [Hallström] is really good at emotionally engaging an audience without hitting them over the face with it.

The audience loves to figure things out. They love it when a performer leaves a trail of bread crumbs for them, and they get to participate in the comedy.

If you find that a point cannot be made without narration, it is virtually certain that the point is unimportant to the story (which is to say, to the audience).

Don’t just create content to get credit for being clever — create content that will be helpful, insightful, or interesting for your target audience.

When you're in a play, you never really have a sense of what an audience is experiencing. The experience of doing a play is so different from the experience of seeing it.

I never really like to skate in an empty ice rink; I always need the attention of an audience.

I think editors are excellent marketers. They know their audience and produce copy to appeal to them - they just don't call it marketing.

That audience embrace has unbelievable power.

For me, the key is always trying to find the connection between the audience and the character I'm playing. That's important to me, in any work I do.

I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.

We just had to stay out-of-the-way [in Fences]. [August Wilson] already wrote a masterpiece. And you really don't know how it's going to work until you get it in front of an audience.

Performance is always oriented towards a spectator, towards an imagined audience and I was thinking who is their imagined audience?

The film is a romance with songs and dances, aimed at a family audience.

You're trying to bring a character to an audience, and tell stories. That's what we're all trying do.

It is good to be different, because difference is great; that's what this music is based on. But lose that energy between the audience and the players, and you have nothing.

The most important person is the audience and the composer. The rest of us - and even the composer is a servant to the audience. And of course, the audience is a servant to the higher art.

'Hard Boiled' is my last film in Hong Kong, before I moved to the U.S. It is the one film which is most accepted by the audience in the West.

It is very difficult to be a hero without an audience, although, in a sense, we are each the hero of a peculiar, half-ruined film called our life.

His [Donald Trump] audiences love it.

The sovereigns of the earth do not always grant audience readily; on the contrary, the King of Heaven, hidden under the eucharistic veils, is ready to receive anyone.

So much easier to aim for the smallest possible audience, not the largest, to build long-term value among a trusted, delighted tribe, to create work that matters and stands the test of time.

It is a temptation to exploit one's technique because an audience is easily reached this way, but they cannot be moved by technique alone and to move an audience is the role of dance as an art.

I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me.

If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play.

Once an audience feels that you trust them like you trust a friend, they do become your friends.

I knew that I wanted to create rich themes, and something that people might really relate to emotionally. That was the quest, authenticity, and then just to make the audience feel something.

I want to make the audience laugh and cry within ten seconds, to show just how close those emotions are.

Loose and jocular, Stanley proved to be a master at relating to nightclub audiences

When you are in a good theatre show, it is a wonderful and very fulfilling experience, entertaining a large audience and their showing their appreciation for your efforts.

The Runaways' audience was 90 percent male. That was kind of depressing...Why don't women-our own gender-come out and support us?

In order to have a lasting career you'll need to spend time performing live to build your own audience, as it's not all about social media. Word of mouth still rules.

That's an amazing gift as an actor - to be able to say I have an audience in so many countries in the world and that people know my work.

I'm terrified of improv. Improv in a show or in front of an audience sounds terrifying.

I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.

That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.

I am excited about getting back to what I do best and what my audience likes best, I am writing new jokes every day and soon Ill be telling them every night. Just me, one Jew talking and that's it.

If for the sake of a crowded audience you do wish to hold a lecture, your ambition is no laudable one, and at least avoid all citations from the poets, for to quote them argues feeble industry.

You write music for yourself and if you just open that door and let people in, the audience is going to grow and it's going to become more accessible.

I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.

The problem with a lot of movies when it comes to race is that they want to be moral, and they want to make the audience feel good about something that a lot of people don't feel good about.

Our shows are packed with laughter and light-hearted songs to lift the listener from their everyday life. We encourage the audience to participate in any way.

That's the great thing about incubating something on the web: you have the potential to go to other platforms. Every single platform has a different audience that you find.

Onstage, I don't feel any glory from people clapping in the audience, but when they're pushing me to do something new that feels good.

I like risky parts - abrasive characters the audience won't necessarily like.

My ultimate aim would be to captivate an audience, even just for a second.