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Broadway has the most savvy audience anywhere. They see everything and they know their theater. As sophisticated and subtle as you think you can be, the houses you get here will want something finer.
I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
So much easier to aim for the smallest possible audience, not the largest, to build long-term value among a trusted, delighted tribe, to create work that matters and stands the test of time.
That's the thing about great artists: They find the thing that's most obvious to themselves, what's most conscious and natural, and they put it out there and the audience comes.
Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.
The great thing about playing a character that's similar to the audience, or similar to you, is that you get to have the same reaction that you would actually have to whatever's going on.
The problem with a lot of movies when it comes to race is that they want to be moral, and they want to make the audience feel good about something that a lot of people don't feel good about.
In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.
Books like Twilight are not art. They are mass-produced crap that is meant to be consumed by the widest possible audience, for the largest possible profit.
I like doing movies with kids in them, and you're explaining things. They're teaching you and you're teaching them, and the audience can loop through that.
The only difference with wrestling is we're like a live performance. So we're feeding off the audience and if they do't like something, they can let us know immediately.
And the most important thing - apart from telling a good, believable story, and being a true character - is to be someone the audience will care about, even if you're playing a murderer or rapist.
And if there's anything movies can do in a way that I just love, and I love as an audience is, "Show me something I don't know about. Show me something I haven't seen."
With stand-up, it doesn't matter who you are. If the audience claps because they love your movies, that clapping stops after five seconds, and then it's your job to make them laugh.
In television, the audience has to be comfortable with you, and Ive managed to prove that I can be in American homes to some degree, and not necessarily where everyone knows me, either.
Not working is bad for you. It is my drug, it gives me a high; most performers will tell you that. And there is nothing like the high that an audience gives you.
If the show encourages an audience to ask the question, "Is this character's emotional response to this situation valid?," then that's a really good question to ask.
Abortion is a hard thing for Hollywood to deal with because it is so controversial and you don't want to alienate half your audience by sending one message or the other.