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So anyway, I really enjoyed the European audiences.
I'm still a fanboy geek. I always will be. In many ways, if my work still resonates with the audience, it's because I'm still writing from the point of view of the fan, so I'm geeked out constantly.
His administration apparently means to define itself as a television program instead of a government...I don't know if it can please both its sponsors and its intended audience.
In the big picture I write for an audience of people I've never met. By the final draft I'm looking for anything in the prose that's prospectively boring to strangers.
As a filmmaker you have to keep asking yourself the question are we really going to impress them [audience] either by the wow factor, the intelligence factor, the I didn't see that coming factor?
It wasn't so much that I was all alone on stage, but it was the realization of how much you need the response-you need the audience to tell you where to go
Write backwards. Start from the feeling you want the audience to have at the end and then ask "How might that happen?" continually, until you have a beginning.
I guess it's pretty diverse, but I do have quite a 30-and-older male audience coming out to the shows. I don't know if that's due to me being a female or what.
No matter what, I want to experience a sense of peace while talking. As I look out into the audience, Ill remember to breathe and notice that at my core there is peace.
Their [Phoenix] audience wasn't into us at all. The way most of the venues worked was there was no alcohol on the floor so usually during our set most people were in the lobby getting their drink on.
I think it's sinful to give the audience material it knows already, whether the material is about race relations or the car culture or the depiction and placement of a candy bar.
Audiences can tell when you're being fake and they will eat you alive. But if you're doing something authentic they will connect to it and that can lead to commercial success.
Even in the tragedies, [William] Shakespeare always put in parts for the comic actors because his audience was mixed. He puts in people who talk like aristocrats. He puts in idiots and fools.
My desire is to be pure again and not dirtied by the world. But it's my duty to be as ugly and as filthy as I am, so the audience can experience what I have.
I want to be true to the character and maintain some consistency and give the audience what they love while at the same time keeping things fresh and grow the character.
If you repeat yourself, then I think you're in danger of losing that fan base, because if you're not interesting yourselves, you're not interesting your audience.
I don't think I ever worry too much about what our target audience is, what we should be releasing. I just write naturally and organically and try to write from the heart.
All dramatic realism is somewhat sadistic; an audience is persuaded to watch something that makes it uncomfortable and from which no relief is offered - no laughter, no tears, no purgation.