Audience Quotes

I don't know how to do the other, so I won't even consider television until the audience's taste changes.

The imaginary audience for my life is growing small and silent.

I've passed on a lot of huge-money jobs. Money doesn't enter into the decision-making. If I do a big blockbuster, it's about how big an audience you'll get and where you can take them.

I think human beings probably resonate with audiences more than bunnies, but who knows?

One of the things I would like to do is make up stories that I would have enjoyed when I was a kid. So, if I'm thinking about an audience, it's usually a younger version of myself.

You just have to keep in mind that the important relationship is the relationship with the audience. That's what I try to do. Everything else is secondary.

L.A. is not a town that supports a lot of theater. Most of the shows don't get through a week or two and then, the audience kind of disappears.

Character driven stories engage me and when an audience gets to know a character in an unforced way and finds themselves rooting for him or her, those are the kind of movies that get me excited.

It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience.

What's exciting is there's a curtain that divides the audience from this other world. You want to see behind.

I think you should make a movie that has an audience.

Humour is completed by an audience.

Nobody has a magic lamp which can tell you in advance whether what you say will be effective in persuading an audience.

Pilots are so hard because you have to introduce all these characters, you have to hook an audience, and an audience has such a smaller attention span than maybe they used to have.

Facebook and Myspace are the U.S. audience, which is tried and true when it comes to being susceptible to ads.

I think there is a time, if I can say this; there is a time in a message where you might just tell a story to give your audience a break.

Let's try to present the same gospel but in a fresh fashion, always looking for a better way to connect with the audience.

In theatre, the main objective is to make the art happy, not the audience!

I like to make sure that I'm believable. If I don't believe me, then there's a lot of people that don't believe me, but if I can believe that I'm doing it, then I know the audience will, too.

I don't think the audience always listens to the critics. That's been proven time and time again.

Older audiences are hard to win over. They're very specific in their tastes and critical of new music.

I get pressure from my audience and my agents to be a 'good girl,' and I'm in the public eye, so if I mess up, it's going to be all over the place.

A Grammy is a wonderful thing; all of a sudden you're given a new audience but, like anything, you have to be able to grow with these songs if you really want a long artistic career.

You win an Oscar, it can double the audience that you had before.

I want to look at my audience and see all walks of life. I want to do something for everybody.

In features, one of the goals is to have the audience walk out, fully satisfied. In today's world, it's maybe wanting a sequel.

It's a gamble. A band like Kiss, a lot of those are our audience but we don't do as much make-up. Alice would have more to lose if we got back together.

I’ve been accused of ‘raping’ the audience in my films, and I admit to that freely — all movies assault the viewer in one way or another.

People have been educated to expect answers, even before the questions come along. It's the TV principle. You offer three possible answers before the questions come to relax and calm the audience.

When writing for a mass audience, put a fact in every sentence.

There is nothing better than getting something in front of an audience in a less stressful setting than previews!

If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.

I think my audience is smart. If there's a way to be entertained and get things out - real things, not stupid moral crap - that's the best.

I think the people that enjoyed Freedom will love this one; and I actually think some of the unique musical twists this project is taking will open it up to a whole new audience as well.

I couldn't bare the idea of not being in regular communication with the audience I love - young women of color.

French cinema audiences usually don't express anything. Certainly not satisfaction.

I'm never really nervous because I've done the maximum; now it's up to the audience to do its job.

I think it's hard to convince an audience of some sort of chemistry if you really don't get along.

The whole point is you're telling a story to an audience. So when there's no audience, it's like cinematic masturbation.

I think at any point, as an artist, whatever the medium - just having an audience means the world.

In the end, I would love [the audience] to be more open to the understanding of different types of personalities, you know?

My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.

The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that.

I take no notice of the trends. It has never concerned me at all. My job is to deal with what I want to deal with and reach an audience by doing so.

I pretty much believe that a film is a film and when an audience watches a film, they finish it.

When you finish a film, before the first paying audience sees it, you don't have any idea. You don't know if you made a success or a flop, when it comes to the box office.

I will sometimes post tweets that are about a specific person or people, in which case I will imagine the people I am tweeting about to be my audience.

Bollywood actors are so set in what they want, and the way they want it. And why shouldn't they be? But it is not the same in Hollywood, because the love of the audience is not the same.

The life you live in front of an audience is like an altered state - it's not totally real. I'm always, even in the course of one day, trying to find ways to balance both sides.

Narrative and characters have always interested me. I never tried to alienate an audience. Of course, gradually, I wanted a bigger and bigger space to draw people in, so it's very organic [growth].