Audience Quotes

I learned a lot about my audience and about myself as a performer, what I like to do live.

I can reach the mass audience if I come from different perspectives on every song.

I sometimes close my eyes during a show because I have drawn a picture of an audience enjoying the show more on the back of my eyelids.

The form came out of the function because it is for the audience that already knows the show, while hoping to get a new audience, too.

I need an audience way more than an audience needs me.

I've been friends with madonna for ever. In fact she was at my 3rd solo performance in 1990, and there were only 10 people in the audience.

My goal with everything that I do is to present things in a way that I would want to see if I was in the audience or buying the record.

You can make the audience laugh, be funny and sad at the same time.

When you go to a film festival as an audience member, it's so much fun. But when you bring your own film there, you carry so much stress and excitement.

When I experience something or feel something, that's kind of transferred to the audience. There's a lot of great breakthrough moments that come out of that.

At one point, people thought that Eddie Murphy would only reach one sector of the audience, but now everyone sees everything Eddie Murphy does.

The time we spend in having our daily audience with God is the most precious part of the whole day.

Hollywood works continually to keep its standard of contempt for the audience.

With 48 million subscribers through Xbox Live (silver and gold), Microsoft has a bigger audience than DirecTV.

You're always nervous about how a film lands with an audience.

Three-dimensional, complex women get an audience engaged as much as the men. I’m a feminist in the true sense of the word. It’s about equality.

I think I have a really diverse audience. I've had people from all sorts of sexual persuasions.

Anytime you get an audience that's paying attention, you enjoy it more.

Podiobooks rules. It's still the best way I know to find an audience for longer works in any genre.

I credit Podiobooks and the free audio podcasts for helping me develop the audience I needed when I started selling my books in text forms.

I want to be back on Broadway one day. That's a dream of mine. There's nothing like live theater, and I think it's so important for me to be able to be on stage with an audience that responds.

If there are older black people in the audience that I can see I will not say the n-word. I know they grew up with a different meaning.

It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.

And by the right thing, I mean that whatever step we take next, the first criteria we should consider is the people who have been loyal to us, thus far, which is primarily our audience.

I do have a large audience overseas, and I want to continue to be an international artist.

The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?

You start as an audience member and create a world you're interested in, and then you move into the telling of those stories, bringing what has interested you as an audience member.

In 1600, when Shakespeares audience at the Globe heard Hamlet for the first time, every one of them knew very well what it meant to be handed a cup of wine by a figure of authority and told to drink.

Oh sure, now you like him [after the audience applaud David Oyelowo].

I don't know, on a sitcom, and in theatre especially, you have to really be listening to an audience. And if you're losing them, you can hear the sniffs, and the playbills shuffling and whatnot.

The audience will only truly respect you when they have no idea what is going on.

It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.

I always call performing live "giving the people the medicine," because when you're engaged in it, you can feel the sort of soul magic being exchanged between the performer and the audience.

If you respect the audience enough, they can take onboard many things.

The Internet is the greatest tool for any artist to have interaction with any audience.

I'm sticking my tongue out in scenes to try to make that work in 3D. I'm thinking I'll try to get my tongue all the way out to the second row of the audience.

I had been making a lot of family oriented movies, which I also like. But I still have a passion for the midnight audience and for midnight movies.

I love the theater. I love being on stage; I love the live audience. I also love dressing up and all of the make-believe.

When I was working with Stanley Kubrick [on "Eyes Wide Shut"], he would always say, "You never tell the audience what to feel. Let them choose to have their responses."

When I'm onstage, I'm more in the audience in my head than I am on the stage.

Ultimately, only audiences decide what's a franchise.

The responsibility of the writer as a moral agent is to try to bring the truth about matters of human significance to an audience that can do something about them.

We need more extreme movies in Sweden.Personal projects that are necessarily made for a bigger audience. I think it creates a creative lock-up to have the audience as a goal.

If you individualize an audience, it helps up the stakes of your responsibility to that audience.

I had a show that people thought used a laugh track. It wasn't; it was the real audience going crazy after everything that resembled a joke, that they could technically call a joke.

Comedians are the most challenging people for me to shoot. Because you're not actually in the dialogue with them, they are performing. When I work with a comedian, I become their audience.

The internet has created a transnational audience. If you publish something in the New York Times, it's read all over the world. Who knows how big this audience is or how long it will last.

There is a lot of anxiety in India about writers selling out to foreign audiences, but I’m neither flattering the Indian audience nor the American audience. I’m uneasily somewhere in the middle.

In my creative films, if there was something, some humorous moment that is lost to a non-Korean speaking audience, I'll be very sad.

Early on it was much easier to play leads, but now independent movies are being co-opted by the studio system, and they want bigger names to guarantee more audience and more numbers.