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I've never found kicks to the groin particularly funny, although recent work in the genre of the buddy movie suggests audience research must prove me wrong.
If you put anger in the writing, then it's like an actor crying on stage. The audience will not cry with the actor and in some way inure itself against the emotion.
Sometimes there are painters or very famous artists who start to become artists after they are dead because an audience or a public know about their art after they die.
When you have a chance to be an artist with an audience in your lifetime, you have to say thanks to your audience. That's a great thing. That's the best thing that can happen to an artist.
At the beginning of the tour, I arrange the live show exactly like the album, but of course from one audience to another, from one venue to another, it can become longer.
It's hard for actors to have to deal with the fact that they pour so much into their character, but the audience might have a negative assessment of them.
The only way to grab the attention of the audience is originality. We feed ourselves with franchises that's the opposite of what makes our culture multidimensional and interesting.
I'm definitely guilty of thinking something is funny but thinking the audience won't. Then three years later I will finally try it and it'll kill them. I got to give them more credit.
I love watching a movie that is smart, that makes me think, that includes me as an audience member, and I especially love it when I know that the people that I'm working with also do that.
With a comedy, it's so important to see it with an audience and an audience who really wants to be there and is enthusiastic, otherwise it can be quite a traumatizing experience.
I want to give the audience what they want, but not at all costs. I want to leave them with something. I try to do that with every single movie I make.
I started my blog - never thought that would have an audience, and that turned into such a huge, life-changing career for me. I definitely wanted it, I just didn't fully plan on it, of course.
I want the largest audience I can get, because that's how I can charge the highest advertising rate. Which means what else do I want? Money. I am trying to earn a profit. It's capitalism.
Writing history and biography for kids calls for special skills that can only be acquired through practice and that are different from those required for an adult audience.
86% of its audience was made up of people of color. That tells you that the full potential of many black stars won't be realized until their audiences are fully integrated.
It's tough. It's very tricky to throw a morally flexible character onto the screen and have an audience empathize. It's always an exercise in restraint.
When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.
I loved working with kids, and kids are the most incredibly discerning audience. And if they don't believe you, they will tell you and let you know. I mean, kids is where it's at, really.
You just went up and started playing, the audience got into it, and it was just a great high experience. That's what I kind of invented with "Mas Tequila" in Cabo.
There are tons of stories out there. I read a lot of scripts on a weekly basis. I'm looking for stories to tell and stories that I hope will be interesting to an audience.
I feel like you've gotta be able to get up every night in front of a live audience. Whether it's 10 people or 50 people or a hundred people, whether you're in a rock band or doing the comedy circuit.