Audience Quotes

Any type of humor can be transferred to the screen, as long as there's clarity. The audience wants to know just what they're supposed to be feeling, when they're supposed to laugh.

I find animated movies very touching. They reach an audience that's hard to get with a live-action film.

I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.

I always think if it's a good story, the audience can't wait to run out of the theater and go tweet somebody with the gist of a story, in a nutshell, almost, because it was that interesting.

I would lose myself too much if I thought of myself as the audience.

My experience tells me that any time you hear people laughing on a sitcom, it's the writers who happen to be closest to the microphones - not the audience.

Not every show needs to reach the same size of audience, or same width, of a ‘Sopranos,'

A personality is our way of being for others. We hope that others will meet us half way or more, gratify our needs, be our audience, soothe our fears.

The audience must be sick to death of the star-crossed lovers from District 12. I know I am.

If you won't talk about yourself, at least compliment the audience. Just keep turning it back around, all right. Gush.

When a performer goes out on a stage, they may feel the audience is judging every aspect of them and their life. In fact, all that poor audience is doing is waiting to be entertained a little.

Few artists are able to accurately assess just how valuable and great their work is - or how much it will be appreciated by its audience. In other words, insecurity is the name of the game.

On stage you look much larger than you are. You can have subtle changes of timing; how you place a punchline in a joke or movement or emotion according to an audience.

Boxing is the only sport where you have the audience coming right up to you and saying, "You Stink." And you got to deal with that. It's like being in front of the lions.

Everything we're doing means there is a much bigger audience that we can reach.

[My consumer] is a combination of people who would have shopped with me when I was at Jimmy Choo and then also because of price point, there is a broader audience now that we can reach.

You have an audience that is fairly well grounded in the real world. You serve them and yourself best by making everything as real as possible.

The way that music is approached in the temple is very call and response; it breaks down that barrier between performer and audience.

I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.

I love my cross-sectioned, cross-cultural audience. Some of them are doing better than the average guy, but my audience has always been people who are struggling to stay in the middle class.

What worries me sometimes in the culture is that the role for music that actually challenges and enlightens the audience is being pushed to the sidelines.

My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.

Listening to your own sets and listening to the audience as you perform. It's a conversation of sorts. There is an exchange.

Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.

You play the one song that people want to hear the most every night, and for every audience that's a special thing. And usually that translates back to you.

Fast fashion communicates to a different audience, to a younger audience.

There's some anxiety the 30 minutes before the show starts. But once you step on stage and face the people, everything goes away, and you have fun and enjoy the audience.

Audiences are audiences.

When something is moving you get that intake of breath and that stillness from the audience.

Feeling emotionally connected to a song, and accumulating every bit of the moment's energy to sing out to the audience is what I believe makes a great performer.

Look at that fat kid, in the audience. You want some pie you little fatty? I strongly dislike fat kids. Security, please remove him, that fat kid, over there, by the pies.

I just have a respect for my audience. That seems to be pretty logical.

I've been writing about Vermont independence for nearly ten years... and, more often than not, it was for an audience of one.

You reach your audience at the moment when you really have something to say - that is, when you're not just delivering a performance.

Having the audience know more than the characters is precisely where you want to be in terms of drama. You can engage them much more when that is the case.

It's very important to me to find ways to relate the audience to the characters. This is the first thing to go in most mainstream horror films.

I like movies that leave things in the hands of the audience.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.

Even in the off season, people are streaming the show or buying the DVD sets, and new audience comes to Leverage every year weve been doing it.

I find that the British audience listens and they accept the performer for its value, value as a singer, as a vocalist, value as a performer. You're only accepted if you're good.

I'm so critical of my own work that it's difficult for me to disassociate myself and watch it as an audience.

With any character, you want the audience to at least empathize.

And there are rules for crime fiction. Or if not rules, at least expectations and you have to give the audience what it wants.

And the goal really is to make the audience laugh, to bring them some joy.

You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.

Not every movie has to serve as every audience member's need for completion.

I feel like movies when they work they'll find an audience.

Аs long as I've got an audience out there to play for, I'm going to continue to play. I have at least enough people that I can go out on the road for 10, 11 weeks at a time.

When I'm asked who my audience is, I say someone with an open mind, which is not a vacant one and sometimes a liberal mind is not the same thing as an open one.

I've always said that I myself am not the best audience for my own work, because I'm just not that receptive to comedy.