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I used to tell people when I preached at a church, 'If you want a great sermon, be a great audience.'
I don't think you can shock an audience anymore. Me cutting my head off is a great illusion, but when you turn on CNN and there's a guy really getting his head cut off, it does dilute what I did.
If I tell the audience what they should think, then I am robbing them of their own imagination and their own capacity of deciding what's important to them.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
Tracking action without cutting is the least jarring method of placing the audience into a real-time experience where they are the ones making the subtle choices of where and when to look.
But, what did happen is I went to Woodstock as a member of the audience. I did not show up there with a road manager and a couple of guitars. I showed up with a change of clothes and a toothbrush.
I never go see live comedy shows because I just sit in the audience thinking, "Here's what I would say. Here's what I would do if I got up there." It drives me crazy.
You can go from doing something quite silly to something dead serious in the blink of an eye, and if you're making those connections with your audience then they're going to go right along with it.
I think there are two ways to depict a family. One is what it's really like, and one is what the audience would like it to be. Between you and me, I think the second one is what I would prefer.
When you do comedy in front of an audience, they are the ones who tell you whether it's funny or not and which bits are funny and which bits need to be fixed.
Try to find the right balance of keeping things exciting and treating your audience with respect, and also treating yourself as an artist with respect.
I always say, or have said in the past, that ninety-nine and forty-four-hundredths of the audience does not pay any attention to the lighting, but one hundred percent is affected by it.
When you go to standup, there seems to be a common denominator of some form of need or want for validation from the audience that maybe you were lacking as a kid.
Find one person in the audience and sing to them with all of your heart. And then cast a spell over them. Hoss, if you can't do it with feeling - don't.
In general, I think audiences are a lot smarter than people think. So, it's not "know your audience", it's "respect your audience, and really know your content".
I love live theater; I like the relationship between the show and the audience. That's my comfort zone, but more than anything, it's what makes me happy.
I think of people as members of an audience. But an audience acts independently of every individual. It's an organism on its own. I focus on that living hydra in the dark.
I want to lift the audience to the miraculous in human nature. After all, we shouldn't be here, with all the odds against us in nature. It's kind of unusual and wonderful!
In a scene [where the improvisers must interact] without the letter S, the audience is waiting for you to lose - so they can laugh at you. Don't try to win.