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As long as you keep the audience on the edge of their seats, either scare them or keep them guessing, you can put anything in there that you want.
When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside.
From what I hear is happening, young Indian boxers have started to do well on the world stage and started to gain the attention of the general audience.
The audience wants to be attracted not by the critics, but by a great story. You must deliver to the audience emotion - and when I say emotion, I mean suspense, drama, love.
There are some long silences in Scandinavian and some Japanese films, when the audience knows action is taking place, but the audience hears no action.
Every time I go to the theater, there's something about the atmosphere, seeing something unfold live in front of an audience, that you can't get out of your system.
Hill Street Blues might have been the first television show that had a memory. One episode after another was part of a cumulative experience shared by the audience.
When we use the word domestic [terrorism], we discount its actual impact as political terrorism, which is, of course, political violence meant to impact an audience outside of the immediate victims.
Focus on identifying your target audience, communicating an authentic message that they want and need and project yourself as an "expert" within your niche.
I've never seen a schedule where you just go in two hours almost every day of the week and then all day on one day. Then you shoot it at night with an audience and you're out of there.
The only reality of the theater exists in the mind of the audience. That audience looks collectively at what is going on on the stage and collectively imagines that this is real.
Kids audience is a brilliant audience. If you've got an audience of adults standing up and clapping, or you've got an audience of kids standing up and clapping, I know which one I'd choose.
One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost.
It is our responsibility to learn how to speak to an audience that is less informed about music, to give it a reason to want to come and see us instead of going to the movies.
I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
That's why so many people want to play Hamlet: because it's a completely demarked role, and the actor playing it has to be prepared, through the language, to allow the audience to see into who he is.
I am frightened by the imbalance, the constant striving to reach the largest possible audience for everything; by the absence of a sustained study of the state of the nation.