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I try to balance independent films with commercial films, and I've done a pretty good job of it over the years.
My mother was independent. She had grown up in Dalton and Pittsfield, in western Massachusetts, and she was one of the first women drivers in that area.
I love the art house, and when I say the art house, I don't just mean little, independent movies but movies that really aim to be about something and say something and I love those movies.
I watch many, many, many independent films every year that you see once in a film festival and they're never heard of ever again. Many of them are very, very good.
I have achieved what I wanted to achieve. I'm better off at some sort of independent place where they not only like what I produce but also trust me to be the one to produce it.
I've always wanted to be independent and answer for myself. That probably is the part of me I would class to be feminist. I'd like to have children; marriage I have a bit of an issue with.
We were taught to be free-thinking, independent, to look at your goals. And that old saying, you could never go home was never true in my community. We always felt like we could go home.
I really don't know where the independent fits in anymore when twenty-five million dollar movies are considered straight-to-video fare. We're like penny postage stamps.
So in every sense, from an independent artist to a major label artist, you just have to have great product, great faith and great people, they all go together.
It's been difficult to find roles that are independent, strong, and self-assured; I always say I can't play the princess. I'm not a pretty princess! I'm a tomboy.
I went from being married to living on my own in L.A., to having a new boyfriend and just being totally self-sufficient and super independent. It's awesome. I love it!
If you're an independent, you don't get on TV. And in the rare instances that you do get on, you get a fraction of what that very same movie would get if it came in through Fox or Viacom.
In order to protect himself from force, man was obliged to submit to justice. Justice or force: he was compelled to choose between the two masters, so little are we made to be independent.
I grew up in a very literate, very independent household where people spoke their ideas and were very supportive of helping each other find their own way
I don't really see a difference in independent and major labels. To me, it's pretty much the same. There used to be a difference between indies and major labels, but I don't think there is anymore.
My idea of village SWARAJ is that is a complete republic, independent of its neighbors for its own vital wants, and yet interdependent for many others which dependence is a necessity.
I really (became) very independent. I was start(ed) to write one-woman shows and mak(e) films and to me I think I really felt like my choice (was) more important than any kind of career goal.
There is a bond, it appears, between mother and child which endures as long as they do. It is independent of love; reason cannot weaken it; hate cannot destroy it.
...even the most independent people sometimes needed help. And if I'd learned nothing else from my life thus far, it was that you don't always end up where you think you're going.
Studio movies are looking more like independent movies and independent movies are looking more like studio movies, and I think cinema is better now because of it.
There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized.