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I have characterized Nixon as a loner, a cold man with great self-confidence and a one-track mind centered on the advancement of Richard Nixon.
I like to piece together different guitarists, unlikely bedfellows. You have Jonny Greenwood playing next to Nile Rodgers on the same track, so it becomes like an orchestra of sounds.
It is in some ways more troublesome to track and swat an evasive wasp than to shoot, at close range, a wild elephant. But the elephant is more troublesome if you miss.
What track needs to figure out: how to engage us between the races. Instead, the entire off-the-track conversation is about doping. This is how you kill a sport.
You watch a hockey game, and the hand-eye coordination and the speed is really miraculous; how those guys track the puck alone, just following it with their eyes.
I thought I'd do everything on four-track, and then I'll record every instrument myself in a studio, and then I'll have a solo album released by spring.
That's the beauty of this great sport (track), though-it's such a fine line between success or not, which makes the sweet moments that much more worth savoring.
The left-wing, which consists of armoured and motorized forces and has no enemy in front of it, will be stopped dead in its tracks upon direct order from the Fuhrer.
There have been other tracks that separated the men from the boys. This is the track that will separate the brave from the weak after the boys are gone.
I have a wife and two boys. One is 18 and the other is 14. The 18-year old is getting ready for college next year and he made a decision to run track. He runs a lot like Michael Johnson.
A novel is like a gland pill - it nips off the cream of my hysterics and gets them running on track in a book where they belong instead of rioting all over my person.
I simply remix an artist accommodating the way I wish to see this track. Remixing is entirely personal for me, music is entirely personal for me, and it has to be a natural process.
When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.
The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
From a young age I had learned to get over--to cover my tracks emotionally, to hide or ignore my problems in the belief that they were mine alone to solve.
When a blind beetle crawls over the surface of a globe he doesn't notice that the track he has covered is curved. I was lucky enough to have spotted it.
Nothing is ever in such short supply at a race track as time. It doesn't seem to matter whether we are at the track for a race meeting or for testing - there is never enough time.
But I always communicate with the audience. I never pretend like I'm just in my bedroom making a track. The whole point of doing a gig is, like, a feedback thing between you and the audience.