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I want to be a recording artist for my whole entire life. But Broadway is something I would come back to at any given moment. I love, love, love doing theater.
Broadway was without doubt the hardest I ever worked in my life and the highest highs I've ever had as an actor. The unadulterated fear was on a level that was hard to explain.
One of the things I did when I was in New York, which has a wonderful deaf community, is I have worked on making Broadway more accessible to deaf people.
Here I am flying high over enemy lines in my Sopwith Camel searching for the Red Baron. Who's that behind me? It's the Red Baron! He has me in his sights! Give my regards to Broadway.
I think the fact that I grew up in show business had a real effect on my personality. If you were born in New York during the golden age of television, and you grew up on Broadway, that marks you.
When I was on Broadway, people would really just recognize me around the theater. When you're showing up on commercials and posters, the scope of people recognizing you gets a little wider.
I was modeling since I was four and acting in commercials since I was five- this was when I was in New York. I then moved to LA when I was 16…but before that I had done a play on Broadway.
My first Broadway show was with Elizabeth Taylor and Maureen Stapleton. Maureen Stapleton, a legend in the theatre; Elizabeth Taylor, a legend, period.
When I auditioned for 'Bye Bye Birdie' on Broadway, Gower Champion said, 'You've got the job!' I said, 'Mr. Champion, I can't dance.' He said, 'We'll teach you what you need to know.'
I love music. I'd love to go on Broadway and do a musical there. I just like to kind of go with whatever's inspiring at the moment, and kind of follow that as far as I can.
You know, things kind of happen organically and, you know, Broadway sort of happened out of a career in performing and - which happened out of practicing piano when I was a kid.
I had to get used to the theater atmosphere because I haven't had a role on Broadway since Aida. It was a different process from day one because I was learning my parts by myself.
Walter Matthau made all the big money and he was wonderful as Oscar Madison on the stage. You couldn't beat him. I know because I replaced him on Broadway. He was just delightful.