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Wayne's like my son, Brooklyn, who goes out in the garden to play and have fun.
I'm a person who has, to a certain extent, redefined where I should be. I started off in Brooklyn and Queens and I wasn't supposed to come to Manhattan.
For years I did most of my reading on the F train between Brooklyn and Manhattan. I had long commutes, and I read tons of books on that train; I loved it.
I have an apartment in Brooklyn - I guess I call it my shrine. I go there to create and recoup, or hibernate sometimes, but my home is in Dallas where I live with my children.
'Brooklyn's Finest,' this is the kind of movie that's why I want to be an actor, to tell real-life stories. This is where I feel my job is, to interpret life.
Brooklyn, when I was growing up, was awesome. It was stoopball and stickball - a lot of kids... the baby boom generation were all in the area. It was just a really great place.
I've met others [people] who simply responded to me, "You're Kehinde Wiley. I know your work. I saw it at the Brooklyn Museum [Brooklyn, NY] And I'd be honored to be in your work."
I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.
I've fallen in love with Brooklyn. I'm going to buy a little house in Brooklyn and live there. I'll go to the coast only when I have to make a picture.
Oh, Zoe Kazan - I'd move back to Brooklyn for her. She makes me happy with my life. Knowing her, being at her dinner table, going on a walk with her is the best of all possible worlds.
My parents are my biggest influences. My parents and my city. Brooklyn, New York, New York City, the community I grew up. I don't feel like I'm special in that. I feel like that's everybody.
I started performing music about the age of 16. I lived in Brooklyn, New York, and this thing called the Flatbush Fair comes once a year. That was my first time on stage.