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Many an optimist has become rich simply by buying out a pessimist.
Real leaders like Lee Iacocca see vast possibilities and sell their dreams to their companies, their employees, their funding sources, their government and their buying public.
If you pay 50 million for something, you probably pay another 50 to 100 million to activate it. And the more you spend, the better you do. There is no point in just buying rights.
Fiction writing, and the reading of it, and book buying, have always been the activities of a tiny minority of people, even in the most-literate societies.
People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.
You can't solve climate change by everybody individually buying a more efficient car and throwing out less stuff. You have to make national changes through national policy.
The only way people are going to change their car buying habits, and the only way government will get behind alternatively fueled vehicles, is if gasoline prices continue to go up.
I kind of rely on my artist friends to make my physical music worth buying by having them all come together and create beautiful artwork that everyone is gonna want to own to support my record.
I've always taken risks and bought property well. As journalism wasn't particularly well paid, buying homes and selling them for profit improved my income.
I was buying old records a lot in my early teenage years and I was mostly drawn toward the artwork even more than the band itself. I loved the way the art set the scene for the music.
In our modern world of interdependent nations, hardly any state can wage war successfully without raising loans and buying war materials of every kind in the markets of other nations.
Buying an aggregator and calling it a content play is a little like a company's announcing plans to improve its cash position by hiring a counterfeiter.
Then again, if the plant is slow growing, and you are getting older, you may want to start with a larger plant. I find myself buying larger plants each year.
I bought singles until I started working properly and then I started buying albums, so this brings back a lot of teenage memories from being in London before I got work
I think it's safe to say that 50% of the record buying metal community is people between the ages of 16 and 25 - people still in their teenage-angsty, early young-adult years.
There are a lot of people, especially the younger generation who don't feel that they need to support the artists by buying their music because they grew up learning that record companies are evil.
Once you turn pro and you're making the big money and kids are buying your sneakers and your skates and your gloves and so on, you are a member of that role model club.
I don't really spend money like crazy. I buy what I need and what I really want, and if I'm buying expensive things I do think about the purchase many times before I buy it.
It doesn't matter how good you are as a band or how good your music may be; if the fans aren't supporting it and buying your music, it's hard to make it.