Cartoon Quotes

Tick is a cartoon character, I don't know if you're familiar with him. This is the third step in his evolution. Comic book to cartoon to, now, live-action.

I went to a catholic public school St Helens and learned English by watching bugs bunny cartoons.

At one time Tribune Syndicate emptied out their storeroom. They put tables full of original cartoons down in the lobby and said take one if you want one. The comics were simply a burden to them.

We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.

When you do a cartoon based on news headlines, you do it based on incomplete information.

I've never really thought about competing with cartoons. If it ever gets to that point, then just shoot me.

I didn't want to start acting like a cartoon

George of the Jungle is a cartoon. He's a guy who swings around on a vine all day. Are you not buying that?

If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.

I probably would be continuing to do voice-overs, continuing to do cartoon shows, and at the same time I'd probably be on a sitcom or a dramatic television show.

Garry Trudeau put me in the Doonesbury strip many years ago. So I've been a cartoon once.

It's a sad day when a cartoon is doing more and cares more and pays more attention to the environment than our president.

I can do a really high-pitched cartoon voice. Everybody always say they like that.

Making a cartoon occupied usually about three full days, two spent in labour and one in removing the appearance of labour.

For me, the question was, how can one take a live-action performance and put it in the parameter of one of those cartoons? How much can you get away with?

I try to do much of the necessary alteration on the black and white [cartoons] rather than leave it to be done on the paintings.

My favorite drawings at the Muhammad cartoon festival in Texas were the two chalk outlines out front.

I really enjoyed doing the voice of Nose Marie on the cartoon series Pound Puppies. Fun, FUN cast.

Beanie and Cecil was the first cartoon I remember watching and I think there are analogies.

People will always consider me a cartoon character, a bimbo. They will never give me credit.

And, uh, I've got about six thousand cartoons up there, also books and papers.

I grew up on comics and cartoons. So, as an adult, I like comics and cartoons.

On Career Day in high school, you don't walk around looking for the cartoon guy.

I don't think there's more than half-a-dozen cartoons that I've been really truly happy with in all the time I've been doing it.

I see myself as an artist who happens to do cartoons.

You don't make a fortune doing cartoons. It's a lot of fun, it keeps you busy, and it's better than a kick in the pants, absolutely. But doing voiceover work doesn't make you rich. It just doesn't.

If I can finish a cartoon in 20 minutes, then that's the ideal editorial cartoon - it's to the point.

They used to draw cartoons of Jews in Germany. Later they started killing them in the Holocaust.

What does it say about a president's policies when he has to use a cartoon character rather than real people to justify his record?

I grew up with Thundercats and She-Ra: Princess Of Power. That was sort of my take on fantasy: the women after-school cartoon world.

My parents were really strict about me not watching cartoons.

A lot of people feel that there is less artistry involved in cartoon making unless they have painstaking control of each frame.

I've never canceled a subscription to a newspaper because of bad cartoons or editorials. If that were the case, I wouldn't have any newspapers or magazines to read.

Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.

The cartoon absolutely captures something that acres and acres of copy can't. And even photographs can't.

After I had done a handful of cartoons I was satisfied with, I started submitting them to the magazines.

My biggest kick comes from the individual fans I run into. Middle-aged men ask me when we're going to do more Johnny Quest cartoons.

We are, if anything - I do believe we function as a sort of editorial cartoon. That we are a digestive process, like so many other digestive processes that go on.

No health care for poor kids? You know, I thought something like that was only done by cartoon villains. You're (Pres. Bush) slowly going from being Nixon to Mr. Burns.

I just watched cartoons for three years, and that had a strong affect on me.

The digital realm give cartoons and cartoonists more possibilities for exposure.

Each cartoon needs the right amount of wrong.

Slice open one of my veins and cartoons will pour out; open another vein and you'll get a flood of motor oil.

I realized that people make cartoons for a living. It had never dawned on me that you could do this as a career.

Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening.

If you're going to make a musical, don't cartoon it from the play. Make it better than the play. Have a reason for making it sing.

When I did sports cartoons, I used to uh, go to fights.

I used to draw cartoons. I'd just show them to some of my friends, expecting that they were going to appreciate them, that they were going to enjoy reading them.

I was involved in a web cartoon of Kung Fu with WB a few years back.

It's all in her walk, a cartoon swagger. Part Jayne Mansfield, part Muhammad Ali. Men never know if it's an invitation upstairs or an invitation outside.