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When I was in middle school, I liked to make cartoons.
I didn't invent anything; it's all there in the culture; it's not a big mystery. I just combine my personal experience with classic cartoon stereotypes.
One way to escape the universe in which everything is a kind of media cartoon is to write about the part of your life that doesn't feel like a cartoon, and how the cartoon comes into it.
The most popular cartoon of mine is a guy on the phone looking at his appointment book and saying "No, Thursday's out. How about never, is never good for you?"
Cartoons are like fruit flies. Biologists use fruit flies because their large chromosomes and short life cycle make them ideal for studying hereditary changes.
When you look back at the older cartoons, they're very much more observational cartoons. And the cartoon, the people in the cartoons are not making the joke.
I have a cartoon where the guy is pretty much, he's a regular-sized guy, but he's the size of the island. He's saying no man is an island, but I come pretty damn close.
Cartoons, often, that you do for the New Yorker don't appear for months afterwards, and the record for that is a cartoon that was bought by James Stevenson in 1987 and didn't appear until 2000.
I quite liked Sharkey and George and then there was a cartoon with rapper MC Hammer in it - Hammertime - I loved that cartoon, it was genius! They don't make cartoons like that anymore.
I grew up, probably like a lot of people, on cartoons. And I never thought I would have the chance to be in an animated movie. It's good also to show the world my sweet side with them.
The fantasy which serves as a support for the figure of the Stalinist Communist is therefore exactly the same as the fantasy which is at work in the Tom and Jerry cartoons.
I always loved cartoons but the process seemed so difficult. Then I told myself, "Nothing good comes easy." So, I took a plunge and started my first animation stint in 2003.
A miracle to confound natural law, a baffling reversal of the inevitable consequences . . . a miracle. . . . An act of high imagination -- daring and lurid and impossible. Yes, a cartoon of the mind.
My cartoons appear in newspapers, which are full of words, but there's something about having it in this little box that confounds people's expectations.
I'm terrible about people wanting to take pictures with me. I'm a giant baby about it. They treat you like a cartoon. There's nothing you can do except make light of it.
From an illustration in her "Animals of a Bygone Era": a Leptictidium, an extinct rabbit-like animal who left no descendants, says: "Too bad, because we were really cute.