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Even now; with a thousand little voyages notched in my belt. I still feel a memorial chill on casting off.
It's so pretentious, but I believe that with comedy, if you have a good story, 90% of it is casting. Once you get the guys and gals in there, it's pretty easy to make a funny movie.
My only real daydreamy casting over the years has been Natalie Portman for Denna. She's an amazing actress, and Denna is going to be one of the hardest characters to pull off.
There's no agony like [getting started]. You sit in a room, biting pencils, looking at a typewriter, walking about, or casting yourself down on a sofa, feeling you want to cry your head off.
I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do.
Sometimes good television doesn't depend on money, it depends on imagination and good people directing, casting and doing the job with talented people.
People will go into an audition and a casting situation, and they'll see someone across the room that's perhaps slightly famous, or famous, and they think, 'Oh God, I'm not gonna get the part.
When I started out modeling, there weren’t casting directors and there weren’t stylists, so you just dealt directly with the designer. We were all much closer back then...
There are many ways of casting molecular spells using DNA. What we really want to do in the end is learn how to program self-assembly so that we can build anything.
Usually when you start the characters, the first thing is the script. Your design work is about telling the story. It's later that casting comes into play, but it's a huge component.
Casting is so important in horror. It's so important to have strong actors to tell a story because, if you don't believe in the character, how can you be scared for them?
I think it would be a problem if Hollywood was casting British actors only as villains; if that were the case, then certainly there would be cause for concern.
I think casting a show is an art form in and of itself. We're all so different - the cast is made up partly of real stand-ups, partly of actors, and then partly of just legendary actors.
I used to put that I studied with Stella Adler on my resume. I never met Stella Adler. But if you told a casting director you studied with Stella Adler all the sudden they'd let you in the door.
Happy Ending I did with Paul Winfield. There was a play- within- the- play and I was his mother - which is a peculiar bit of casting, to say the least.
What used to frustrate me going into an audition was that some inexperienced, lesser casting people would think that actors are acting only when they're speaking.
Fishing provides time to think, and reason not to. If you have the virtue of patience, an hour or two of casting alone is plenty of time to review all you’ve learned about the grand themes of life.
I'm so busy trying to be other people. You start acting just as soon as you walk into the door of that casting office. You can't just be yourself because they don't want to hire you.
Olympic organizers are reportedly struggling to fill rows and rows of empty seats. Empty seats! In fact, yesterday officials put out a casting call asking for 200 Europeans or eight Americans.