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My favorite thing about being an actor is that I get to be so many different people in one lifetime. You sort of get to be all of these different characters.
Damita Jo. Jo. That's my middle name. It's let in about the different characters that live within me. They say we have 200 characters that we portray with different people.
My mother saw a movie when she was 14 years old. I forget the name of the movie, but one of the lead characters was named Lark. She decided then she would name me and she stuck to it, and here I am.
I like to do movies, because I love becoming different characters, and telling different stories through different eyes, and affecting someone's life in one way or another.
My books are based on emotions, feelings, relationships. In these areas women are experts, so it's not strange that the main characters of my novels are females.
I grew up being fascinated by accents and dialects. One of the things that interested me were actors that were doing different characters, or sort of more caricatures.
I write flawed characters. Ones that do not always make the best decisions and are driven by ambition or lust. They are not black or white, they are in the large space that exists between.
I'm always fascinated by losers. Also, in my "Foucault's Pendulum," the main characters, who are in a way losers, they are more interesting than the winners.
The most crucial thing is to learn the craft: how to string sentences together, how to make your dialogue sound like real people, how to properly pace a story, how to develop interesting characters.
There's something in psychology called the narrative paradigm, which essentially means that we think of our lives as stories in which we are the main characters.
If it's a language you don't understand and you're not concerned with the meanings of the words, your impression comes from how the words look, particularly if the language uses different characters.
To be honest, I don't think of any of my characters as minor characters - they're all the main characters in a story that I don't necessarily get to tell.
I think you've got to have a depth, a deeper depth to take stand-up into acting, but I think it really helps you as a stand-up to home into different characters and stuff easily.
My problem has been with purely digital films. I feel the danger there is that the kind of short-cuts you end up having to take are the ones that are most telling in the main characters.
One of the things I love, more than anything, is jumping around and playing lots of different parts. I love the variety of playing different characters.
Having an opportunity to play different characters, and work in different mediums, that's what's fun. The worst question you could be asked is, "What do you like better, film, television or theater?"