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I use a lot more chords than most organists and I'm careful to phrase them with the guitar.
I don't think I think when I play. I have a photographic memory for chords, and when I'm playing, the right chords appear in my mind like photographs long before I get to them.
It's really weird to be playing chords again. Haven't played chords for a long time. I realised I haven't played chord changes since OK Computer and stuff like that.
I'd been thinking I'd have to learn how to play really well, but obviously the message of punk was that you just learn three chords in a week and you're away.
Bon Jovi's trick is to use heavy-metal chords and still sound absolutely safe. Rock & roll used to be rebellion disguised as commercialism; now so much of it is commercialism disguised as rebellion.
I tried several times to get the song right. The tune and the chords that I started with, there really wasn't anywhere else it could go. I stopped fighting it and let it take me away.
To play with a band all of the time, just about nightly, was good for me because I wrote lots of arrangements and I got a lot of my transposition and chords ironed out.
Young girls like the excess of any quality. Without knowing, they want to suffer, to suffer they must exaggerate; they like to have loud chords struck on them.
Whenever we would prepare the mind by a forcible appeal, an opening quotation is a symphony preluding on the chords whose tones we are about to harmonize.
I don't want to discredit people's opinions of me, but you talk about the violin or the cello or lead guitar where you have to learn tons of chords, that's much more difficult.
I am the consequence of a particular type of demographic movement, one that has always involved paying a high price. But I don't know much about styles or genres. I only know notes and chords.
I grew up with a piano, and my aunt taught me chords. I played with bands in high school and I could do like, C chord, G chord, D chord; really simple, rhythm piano.
I was a big fan of Jim Hall as well. I liked his comping style, his accompanying. And that he played, generally, four note chords, the top four strings of the guitar.
This is no science, this is art, where equations fall away to elements like resolving chords, and where always prevails a symmetry either explicit or multiplex, but always of a crystalline serenity.
I got started at a really young age. I was about two years old when I started playing the piano and around seven or eight when I started writing my own chords and putting words together.