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The knife of corruption endangered the life of New York City. The scalpel of the law is making us well again.
I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping behind you, and nobody even looks at you funny.
I guess my goal is to design my own walker. The walkers with the big tennis balls, no one wants to use those. I would rather crawl down the street in New York City than use those.
I wasn't born with a silver spoon in my mouth; I came from really humble beginnings - the projects of New York City - and I worked my way to get to where I am.
Those 3,000 jobs in Sioux Falls, based on our population back then in Sioux Falls, would have taken 300,000 jobs in New York City to equal it at Citibank.
This is a dream come true. To wake up in a place that I own and go to work in New York City as an actor - I feel like Mary Tyler Moore throwing her friggin' hat in the air.
My boyhood life in New York City has impressed me with the popular ignorance and also with the great need of something better than local lore and weather proverbs.
There were eleven publishers in New York City, and when it was all over, I think it went down to four or five, and then finally just the three of them, the Big Three.
In the United States, you can put on a cowboy hat and join the country-western neighborhood. If you're down below 14th Street in New York City, that's bohemian; that's left-wing.
The difference between Las Vegas and Atlantic City is the difference between getting conned by a beautiful call girl and getting mugged by a crack head.
I come from a place where you have a lot of sky. But [in New York City] you have to really look up to realize that there is eventually sky, somewhere. ...Sky is not a common commodity.
I was a runaway girl from France who married an American and moved to New York City. Im not sure I would have continued as an artist had I remained in Paris because of the family setup.
It would be great to take one city street and turn it into a pedestrian corridor and see what kind of effect it has on the businesses in that area - It's the future I think.
Everybody in New York City knows there's way more cars than parking spaces. You see cars driving in New York all hours of the night. Its like musical chairs except everybody sat down around 1964.
'25th Hour,' like a lot of my films, takes place in New York City. I've been very fortunate to make films in the city that I live. I mean, it's great going home at night instead of being on location.
The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
Everything seems to be going faster and faster. It's really harder to create something that endures. The New York City Ballet has succeeded in doing that.
I think that every year that the New York City Ballet is alive is worthy of celebration. Because otherwise the terrible thing is just that we take it for granted.