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A successful solution to the client's design needs requires a collaboration of my skills, talents and knowledge with the client's information base, history in their industry and personality.
I'm not a movie person. They're collaborations of the worst kind. You must compromise yourself to many interests that are venal and crass and do not have your best interests at heart.
I think it's the essence of any film and any stage production - any work where you do work with other people - of course collaboration is hugely important. One does for awhile become family.
Collaboration. ... For me, it has informed every move I've ever made. And it saved me in many ways and still does. When things get hard, you can cling to the work.
I came up with the "We are explorers," with sort of a counter-melody to [Opetaia Foa'i] melody. And so, it happened so organically, that it really, to me, is the most emblematic of our collaboration.
Some directors are like it's their... nothing can change, nothing can move. I like collaborating, even when an extra has an idea, I like to bring to really have collaboration.
I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].
Communication accompanies social transactions and can instruct or stultify, mobilize or intimidate, but it is no substitute for production, collaboration and fight.
Good collaboration essentially boils down to personalities who work well together and are able to integrate each other's notes and ideas without killing each other.
I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
It's not that the (social media) tools themselves inspire trust and collaboration. We use them as a medium to connect, and thus generate trust and enthusiasm.
I want collaboration, but if they don't have a plan or their vision isn't clear, it's nerve-wracking. So, someone that's very sure of the vision is what you want, most of all.
Collaboration is necessary for making great art. Everybody has a perspective on what they think or feel the material should ultimately look like when it hits the screen.
Collaboration is risky. If it fails, if the occupation is wound up prematurely and the bad guys come back to power, you might find yourself in some serious trouble.
I've done collaborations in all my movies, and I think it's part of what I enjoy about the process. This kind of intimacy that you create. Because it becomes very intimate.
I enjoy the process of writing collaboration so there's some stuff that already that may happen and then some stuff that I'm initiating that I may write on my own.
With me, it's much more a matter of accepting whatever happens, accepting all these elements from the outside and then trying to work with them in a sort of free collaboration.
There is a book yearning to come out of me: about how we can build the new collaboration economy, and the role of 'openness' in our quest for efficient use of resources and as a driver of innovation.
There's a real power in collaboration. I've found that in collaborating while making art, it takes you to a place that you wouldn't necessarily have the confidence to go on your own.
Collaboration is when you find somebody who, literally, complements and gets you that you can work with. Collaboration is when you really, really want to work with somebody.