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It was funny on '24' because I'm a Scots-Canadian, and I was working with the great Scottish actor Tony Curran, and we were both playing Russian gangsters.
It's a funny thing no matter who you are when you purchase a flower or a plant, the first thing you ask is how do I keep this plant and keep it growing beautiful. People need the same concern.
For me, comedy is a day-to-day report on the human condition. It's what's happening right now. I get maybe 20 minutes of my act straight from the newspaper.
I started out with comedy in college, but had my major in Recreation Administration - which meant I wasn't going to get a real job - so I started doing a little standup.
Comedy is just to me, maybe it's a natural knack, if I can see where the joke is in the writing and I can see where the setup is and I can tell this is the way to make it.
I think people who work in comedy and humor are hesitant to analyze it too much, because you feel like if you take it apart, you'll break it and not be able to put it back together again.
I don't like the phrase shock value. Surprise is essential in comedy, and if people are shocked by what I consider merely surprising, then that's their shock. But there is no joke without surprise.
To do a comedy team, it requires so much extracurricular stuff, so much compromise, so much intuitiveness to know what the other guy is doing. That's why it's so hard to do it.
All the parts I get offered are character and comedy parts, and I probably wouldn't get them if I had a different face. So I'm glad I have a comedy face.
I know how to play comedy when it's needed. So even when it's really not there, my facial expressions are really great. I have a lot of facial expressions in my face, you know.
The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh.
I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience; what things are funny and not.
I think in some parts of our English history we've had huge amounts of almost too much great comedy. You kind of wonder how so much great work could come out of one country.