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Ironically, there isn't much comedy film in Britain, which is quite surprising seeing that we're quite good at it.
Why would they have gone to the trouble to hire the best comedy writers in the business to write funny material for us to play straight, if the children in our audience were the only audience.
I think comedy is on an organic upsurge right now because when I started, it was 1978 at The Comedy Store and Letterman had just stopped emceeing his morning show.
It's funny because growing up, when Ali G first burst off the screen, it was something that I was probably too young to be watching, but I absolutely loved it.
The bottom line of comedy is to be funny, and the bottom line of drama is to be truthful. You can be truthful and funny, but if you're not truthful in a drama than the audience leaves you.
I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
I tend to like poems that are short as well as funny. I love Joe Brainard and Aram Saroyan. And I think their sense of humor and minimalist approach are pretty radical.
We kind of lost a lot of that and puppeteers were sticking to the script and we thought everything needed to get a lot funnier, so we thought we would go to a good improv comedy instructor.
I've never had prejudice against me because of being a woman in comedy, I've never felt any sort of unfairness because of that - but I do think it is naive to think that it doesn't exist.
There are things that I won't joke about, but it's not because I don't think they're funny or they can't be made funny. It's just that they don't fit my particular skill set.
You know what's funny about movies? You can watch one, and then you watch it again at a different stage in your life, and you understand different messages from the same film.
I was lucky that when Lorne Michaels came looking for women comedy writers, there werent too many in New York at the time. I was at the top of a very short list. I think that was all good fortune.
When you talk about modern comedy I think there's a big three right now, and that's Louis C.K., Bill Burr, and Jim Jefferies. I don't think anyone's doing it better than those three guys.
When you're coming up with your philosophy and approach to performing comedy, you take special note of the things you disagree with as much as the things you agree with.