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It's funny, I remember doing the Johnny Carson show, and, uh, I couldn't afford my rent.
The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.
The fundamental truth guiding social justice comedy is that people are not shitty. That sounds cheesy, but that's how I have to approach it. Everybody has the capacity for change.
I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with.
A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny.
People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.
The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.
In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.
To me some of the funniest movies would be probably categorized in the dramatic genre, and likewise some of the most dramatic films, or films that have the most dramatic moments, are in comedies.
I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.
When I was nine I spent a lot of my time reading books about the history of comedy, or listening to the Goons or Hancock, humour from previous generations.