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A wonderful story collection set between one place and another and shaped by a fearless sense of comedy.
I do films which get me out of my comedian routine so that I don't get bored being a stand-up comedian. And with films, it's here today, gone tomorrow. So stand-up comedy is here to stay for me.
It's funny when you put music up against picture, and all your preconceptions go away, and you start over. You just realize that that doesn't work at all.
The funny thing is that I'm the girl who no one sees at the beach. Ask anyone who's traveled with me. Normally, I'm in so many layers, I look like Lawrence of Arabia!
I think it's funny how people get confused when they think about church music, because a lot of times there is a soloist who stands out, but my church wasn't like that at all.
I just like comedy in general. My film work, which has been at times more dramatic, has been satisfying. But I never feel quite as good and as light and blissful as when I'm doing comedy.
Young stand-ups, we ought to do comedy in George Carlin's spirit, in Richard Pryor's spirit, in Jackie Gleason's spirit, in Lucille Ball's spirit, because they did it with the spirit.
It's a funny time, but I'm sure in any time you live in, you'd consider it funny because life is change and it'll just keep doing that. It's a matter of embracing it or not.
I hate to force anything. A lot of people say that comedy is twenty percent truth, and eighty percent fallacy. I believe that you have to have lived through something to write about it.
Obviously neither 'American Idol' nor 'Dancing With the Stars' is a variety show in the classic sense, but the way they incorporate elements of drama, comedy and suspense is moderately ingenious.
I've always wanted to do a real comedy. I haven't done enough, and it seems silly not to do more, considering the fact that people tend to laugh at me.
I actually don't subscribe to the notion that comedy is easier than drama. When you're trying to be funny and you're not funny, that's really terrible. It's a horrible feeling.
If you play it straight it's funny - the best comedy is always played straight down the middle. The adjustment is understanding from the screenplay that a moment is hilarious.
Comedy has always been something I love, but for some reason - probably because of the British accent - I've always been pushed toward more period work.
The funny thing is, strangers still seem to feel comfortable coming up to me and saying things, but now usually it’s because they recognize me, and they say nice things.
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!