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Many of the people I've worked with over the years came from a sketch-comedy background or an improv background, and I've learned a lot from them.
It's a pragmatist's business, comedy. Start off with good intentions and references to the Pompidou Centre and you end up with boiled sweets and a pantomime cow.
I do think comedy needs to be a living thing, but I think without a great script and fully realized characters, you cannot keep it living. Otherwise it just becomes long and rambling indulgent.
It's funny, people ask me, 'What would you consider the most romantic track on your record Mr Caine?' And I say 'Swollen' by Bent, and they say 'I think he's off his rocker!'
In my experience, it's not just that serious books get a hearing on comedy shows. But serious books get a serious hearing, as well as a funny one, on comedy shows.
I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.
When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.
People don't want to listen to a celebrity tweeting about their charities and shows. That's why comedy writers do well - we put out little funny ideas.
My dad is funny in his own way, and so is my brother, but in terms of legitimately making a lot of people laugh, that's my mom. I inherit my sense of comedy from her.
I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
When you start out in comedy, or probably in a lot of things, you want it to happen fast. You don't want to see yourself having to do this for seven years before you start to get some feedback.