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I consider my comedy to be dramatic comedy. I always wanted music underscoring the dramatic monologue. It was always drama with comedy, in my head.
Action films are emotionally and physically draining, and you're dirty and sweaty. In a romantic comedy, you have to have your fingernails perfect, you're in air-conditioned rooms the whole time.
When I first started comedy, me and my friends were kids. I claim - although I know that it's a spurious and probably untrue claim - that we were the first generation of kids to act black.
The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.
The fundamental truth guiding social justice comedy is that people are not shitty. That sounds cheesy, but that's how I have to approach it. Everybody has the capacity for change.
I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with.
A lot of people who do drama say comedy is the hardest thing, but, not wanting to sound like a bighead, comedy is easy for me, as I've always been fairly funny.
People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.
The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.
In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.
It's so funny - my mom when I am dating someone new, all she will get is the name, first and last, and within an hour, I will get an entire life report of the person.
And, in a funny way, each death is different and you mourn each death differently and each death brings back the death you mourned earlier and you get into a bit of a pile-up.
I've just seen really, really funny guys, and if I didn't know them, I wouldn't know they were funny from the television. I don't know what it does, it just sucks it away.