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It's always fun messing around with costumes and stuff. You know there is an element of acting that you've got to dress-up; that's part of it.
I try to get to know the actors as much as I can. I feel like I'm friends with them for starters and for a week or two, we rehearse when they're getting the costumes together.
I think the thing that would interest me would be to appear in a period piece where you'd get to dress in an elaborate costume and say nothing but just look fabulous and have a fancy role.
In real life I'm obviously a lot more shy, but once I'm on set and in costume and I'm hidden behind the person I'm playing I feel quite free to experiment.
There are so many things I'd like to do. I'd really like to be in a period piece that takes place in old New York or old Hollywood and wear those costumes and that makeup.
It reminds me of how grandmother always had the right costume for me to wear. You wear the right outfit and you feel like the person you're pretending to be.
I still think as a painter - especially in terms of structuring a picture... I carefully choose the models, costumes, requisites, and backdrops of my photographs.
I have a ton of cousins on my moms side of the family, and we would put on shows together all the time and put on costumes, and we even charged our parents money.
I went to school for clothing and textiles and thought this is what I was going to do. Then I started working in costumes and literally said, 'I don't know if I can take the actors.'
The costumes in museums are often not exhibited well. They look dead. It is much better to look at a painting by Bronzino than to go look at a Renaissance costume.
Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
I would love, just once, to do costumes for a movie. I almost did some theater, but it is very different from what I am used to doing as a fashion designer.
Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
All of these are names given me by other people, but not names I would have given myself. My name is not mine, it's theirs. It's a series of costumes put on my life by other people.
Someone once bought me loads of clothes from a charity shop - and sent them to me in a black bin liner. That was weird. I went through it and it was full of bizarre outfits like Abba costumes.
We needed to have a great set decorator, a great D.P., a great costume designer, everybody. Without all these people, we would have made a shitty movie.